Luigi Rossi, Violaine Le Chenadec, Caroline Bardot, Lucille Richardot, Ensemble Correspondances, Sébastien Daucé's 'Le Concert royal de la Nuit, Quatrième Veille, Orphée: "Dormite, begl'occhi, dormite" (Coro delle Grazie)' came out on September 3, 2015. The duration of Le Concert royal de la Nuit, Quatrième Veille, Orphée: "Dormite, begl'occhi, dormite" (Coro delle Grazie) is about two minutes long, specifically at 2:26. This song does not appear to have any foul language. Le Concert royal de la Nuit, Quatrième Veille, Orphée: "Dormite, begl'occhi, dormite" (Coro delle Grazie)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Ensemble Correspondances, Sébastien Daucé's "Le Concert royal de la Nuit" album is number 22 out of 68. On top of that, France appears to be the country where this track was created. The popularity of Le Concert royal de la Nuit, Quatrième Veille, Orphée: "Dormite, begl'occhi, dormite" (Coro delle Grazie) is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Le Concert royal de la Nuit, Quatrième Veille, Orphée: "Dormite, begl'occhi, dormite" (Coro delle Grazie) by Luigi Rossi, Violaine Le Chenadec, Caroline Bardot, Lucille Richardot, Ensemble Correspondances, Sébastien Daucé to be Vivace (lively and fast) because the track has a tempo of 169 BPM, a half-time of 84BPM, and a double-time of 338 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Gordion Knot Unty'd, Z. 597: Second Act Tune: Rondo Minuet | Henry Purcell, Aradia Ensemble, Kevin Mallon | C Minor | 5 | 5A | 153 BPM | ||
Mit Fried und Freud ich fahr dahin, BuxWV 76 | Dietrich Buxtehude, Anima Eterna, Collegium Vocale, Jos Van Immerseel | D Minor | 1 | 7A | 56 BPM | ||
Strike the viol | Henry Purcell, Carlos Mena, Philippe Pierlot, Ricercar Consort | G Major | 1 | 9B | 172 BPM | ||
Canzona ottava a basso solo "detta l’ambitiosa" | Girolamo Frescobaldi, Bruno Cocset, Les Basses Réunies | G Minor | 2 | 6A | 127 BPM | ||
Toccata, for organ: I. Toccata | Luigi Rossi, Massimiliano Sanca | G Minor | 1 | 6A | 69 BPM | ||
J’ay mille fois pensé dans ma douce langueur | Bertrand de Bacilly, Les Musiciens De Saint-Julien, François Lazarevitch, Lucile Richardot | B♭ Major | 2 | 6B | 113 BPM | ||
Le Concert royal de la Nuit, Quatrième Veille, Orphée: Passacaille pour Orphée | Luigi Rossi, Ensemble Correspondances, Sébastien Daucé | B Minor | 0 | 10A | 88 BPM | ||
Passacaille del seigr. Louigi | Luigi Rossi, Francesco Corti | A Minor | 2 | 8A | 99 BPM | ||
Couperin, F: Première leçon de ténèbres pour le Mercredi saint: II. Aleph | François Couperin, William Christie, Sophie Daneman, Les Arts Florissants | D♭ Minor | 2 | 12A | 93 BPM | ||
Cavalli: Ercole amante, Act 1: Sinfonia | Francesco Cavalli, Thomas Dunford, Jupiter | F♯ Minor | 1 | 11A | 107 BPM |
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