"La Favorita - Italian version - Act 4: Addio! Fuggir mi lascia!" by Gaetano Donizetti, Luciano Pavarotti, Fiorenza Cossotto, Orchestra del Teatro Comunale di Bologna, Richard Bonynge was released on January 1, 1978. With La Favorita - Italian version - Act 4: Addio! Fuggir mi lascia! being less than two minutes long, at 1:51, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 15 out of 42 in Donizetti: La Favorita by Gaetano Donizetti, Fiorenza Cossotto, Luciano Pavarotti, Gabriel Bacquier, Nicolai Ghiaurov, Coro del Teatro Comunale di Bologna, Orchestra del Teatro Comunale di Bologna, Richard Bonynge. In terms of popularity, La Favorita - Italian version - Act 4: Addio! Fuggir mi lascia! is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of La Favorita - Italian version - Act 4: Addio! Fuggir mi lascia! by Gaetano Donizetti, Luciano Pavarotti, Fiorenza Cossotto, Orchestra del Teatro Comunale di Bologna, Richard Bonynge is Andante (at a walking pace), since this song has a tempo of 96 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Louise (1997 Digital Remaster): Depuis le jour où je me suis donnée | Maria Callas, The Orchestra National De La Radiodiffusion Francaise, Georges Prêtre | G Major | 1 | 9B | 95 BPM | ||
Die lustige Witwe (The Merry Widow) (2000 - Remaster): XIV. Lippen schweigen (Danilo/Hanna) | Franz Lehár, Eberhard Waechter/Elisabeth Schwarzkopf/Philharmonia Orchestra/Lovro von Matacic, Eberhard Waechter, Lovro Von Matacic, Philharmonia Orchestra | G Major | 1 | 9B | 85 BPM | ||
The Merry Widow (Die lustige Witwe) - Sung In Italian - Act 2: Vilja-Lied | Franz Lehár, Renata Tebaldi, With Orchestral Accompaniment | G Major | 1 | 9B | 88 BPM | ||
La Cenerentola / Act 2: "Son qui" | Gioachino Rossini, William Matteuzzi, Cecilia Bartoli, Gloria Banditelli, Fernanda Costa, Enzo Dara, Alessandro Corbelli, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | E♭ Major | 1 | 5B | 122 BPM | ||
La fille du regiment: Act II: Tyrolean Dance and Scene: Cominciano a suonar! (Marchesa) | Gaetano Donizetti, Maria Costanza Nocentini, Giorgio Casciarri, Luciano Miotto, Milijana Nikolic, Eugenio Leggiadri-Gallani, Arturo Cauli, Giulia Martella, Franco Becconi, Alessandro Pento, Chieti Marrucino Opera Chorus, Chieti Marrucino Opera Orchestra, Marzio Conti | B♭ Major | 1 | 6B | 85 BPM | ||
Flotow: Martha / Act 3 - "M'appari" | Luciano Pavarotti, Richard Bonynge, New Philharmonia Orchestra | E Major | 3 | 12B | 125 BPM | ||
La fille du régiment / Act 2: "Tous les trois réunis, quel plaisir mes amis!" | Gaetano Donizetti, Dame Joan Sutherland, Luciano Pavarotti, Spiro Malas, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | D Major | 2 | 10B | 95 BPM | ||
Pagliacci / Act 1: "Recitar!" - "Vesti la giubba" | Ruggero Leoncavallo, Carlo Bergonzi, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan | E Minor | 2 | 9A | 83 BPM | ||
Così fan tutte, K. 588 / Act 1: "Un'aura amorosa" | Wolfgang Amadeus Mozart, Luciano Pavarotti, Sir John Pritchard, Wiener Philharmoniker | E Major | 2 | 12B | 124 BPM | ||
Lucia di Lammermoor (1997 Digital Remaster), ATTO TERZO, Scena seconda: Oh, meschinal Oh, fato orrendo! (Coro/Edgardo) | Gaetano Donizetti, Salvatore Cammarano, Giuseppe Di Stefano, Tullio Serafin, Orchestra del Maggio Musicale Fiorentino | D Major | 1 | 10B | 89 BPM |
Section: 0.9334814548492432
End: 0.9371628761291504