- BPM
- 84
- Key
- B♭ Major
- Camelot
- 6B
Hermit Songs, Op. 29: No. 6. Sea-Snatch - Samuel Barber, Emalie Savoy, Jonathan Ware Information
- Acousticness
- 95%
- Danceability
- 51%
- Energy
- 27%
- Instrumentalness
- 2%
- Liveness
- 9%
- Loudness
- 74%
- Speechiness
- 11%
- Valence
- 33%
- Popularity
- 3%
- Loudness
- -15.716 dB
Summary
Samuel Barber, Emalie Savoy, Jonathan Ware's 'Hermit Songs, Op. 29: No. 6. Sea-Snatch' came out on September 2, 2016. With Hermit Songs, Op. 29: No. 6. Sea-Snatch being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 12 out of 16 in A Portrait: Works by Ravel, Tchaikovsky, Dvořák, Weber & Barber by Emalie Savoy, Brandenburg State Orchestra Frankfurt, Matthias Foremny, Jonathan Ware. Hermit Songs, Op. 29: No. 6. Sea-Snatch is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Hermit Songs, Op. 29: No. 6. Sea-Snatch BPM
The tempo marking of Hermit Songs, Op. 29: No. 6. Sea-Snatch by Samuel Barber, Emalie Savoy, Jonathan Ware is Andante (at a walking pace), since this song has a tempo of 84 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
Hermit Songs, Op. 29: No. 6. Sea-Snatch Key
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Arabella Steinbacher, Orquestra Gulbenkian, Lawrence Foster | E♭ Major | 0 | 5B | 100 BPM | |
 | Puccini: Gianni Schicchi, Act 1: "O mio babbino caro" (Lauretta) | Giacomo Puccini, Renaud Capuçon | A♭ Major | 2 | 4B | 89 BPM | |
 | Harmonies des bois, Op. 76: II. Les larmes de Jacqueline | Jacques Offenbach, Camille Thomas, Orchestre National de Lille, Alexandre Bloch | C Major | 0 | 8B | 84 BPM | |
 | Symphony No. 25 in G minor, K.183: 1. Allegro con brio | Wolfgang Amadeus Mozart, Academy of St. Martin in the Fields, Sir Neville Marriner | G Minor | 2 | 6A | 80 BPM | |
 | Satie / Orch. Ducros: Gymnopédie No. 1 | Erik Satie, Gautier Capuçon, Jerome Ducros, Adrien Perruchon, Orchestre de chambre de Paris | G Minor | 0 | 6A | 170 BPM | |
 | 6 Album Leaves, Op. 2, JB 1:51: No. 2 in A Minor, Chanson. Moderato | Bedřich Smetana, Jitka Čechová | A Minor | 0 | 8A | 66 BPM | |
 | Pelléas et Mélisande, Op.80: 3. Sicilienne | Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner | G Minor | 0 | 6A | 111 BPM | |
 | Sechs Klavierstücke, Op. 118: II. Intermezzo in A Major | Johannes Brahms, Arcadi Volodos | A Major | 0 | 11B | 69 BPM | |
 | Fantasia on Greensleeves | Ralph Vaughan Williams, Ralph Greaves, New Zealand Symphony Orchestra, James Judd | C Minor | 0 | 5A | 78 BPM | |
 | Oboe Concerto in D Minor: II. Adagio | Alessandro Marcello, Jozsef Kiss, Budapest Ferenc Erkel Chamber Orchestra | D Minor | 1 | 7A | 131 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.7463698387145996
End: 0.7518608570098877