"Tosca / Act II: "E qual via scegliete?"" by Giacomo Puccini, Katia Ricciarelli, Ruggero Raimondi, Berliner Philharmoniker, Herbert von Karajan was released on January 1, 1980. Since Tosca / Act II: "E qual via scegliete?" is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 31 in the song's album "Puccini: Tosca". In this album, this song's track order is #8. Tosca / Act II: "E qual via scegliete?" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Tosca / Act II: "E qual via scegliete?" by Giacomo Puccini, Katia Ricciarelli, Ruggero Raimondi, Berliner Philharmoniker, Herbert von Karajan having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Norma / Act 1: Oh! qual traspare orribile | Vincenzo Bellini, Montserrat Caballé, Dame Joan Sutherland, Orchestra of the Welsh National Opera, Richard Bonynge | B♭ Major | 1 | 6B | 134 BPM | ||
Madame Butterfly - Grosser Querschnitt: Das ist sicher ein Kriegsschiff | Alfred Brüggemann, Giacomo Puccini, Giuseppe Giacosa, Luigi Illica, Anneliese Rothenberger, Giuseppe Patanè, Orchester der Deutschen Oper Berlin | F♯ Minor | 1 | 11A | 178 BPM | ||
Falstaff / Act 1: L'Onore! Ladri! | Giuseppe Verdi, Bryn Terfel, Berliner Philharmoniker, Claudio Abbado | C Major | 2 | 8B | 167 BPM | ||
Carmen (1997 - Remaster), Act I: Reste là, maintenant, pendant que je lirai | Georges Bizet, Nicolai Gedda, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | E Major | 1 | 12B | 98 BPM | ||
Symphony No.9 In D / 4. Satz: Ploetzlich wieder sehr langsam (wie zu Anfang) und etwas zoegernd | Gustav Mahler, Berliner Philharmoniker, Herbert von Karajan | A Major | 0 | 11B | 135 BPM | ||
Tosca: E Lucevan Le Stelle | Peter Dvorsky, Slovak Radio Symphony Orchestra, Luigi Illica, Giacomo Puccini, Giuseppe Giacosa | B Minor | 2 | 10A | 90 BPM | ||
I Puritani / Act 1: Ah! per sempre io ti perdei | Vincenzo Bellini, Piero Cappuccilli, Renato Cazzaniga, London Symphony Orchestra, Richard Bonynge | G Major | 2 | 9B | 74 BPM | ||
Tosca / Act 2: "Ha più forte sapore" - "Spoletta è giunto" | Giacomo Puccini, Giorgio Zancanaro, Piero de Palma, Orazio Mori, Philadelphia Orchestra, Riccardo Muti | E♭ Minor | 5 | 2A | 81 BPM | ||
Don Giovanni, K.527, Act I, Scena prima: Fuggi, crudele, fuggi! (Donna Anna/Don Ottavio) | Wolfgang Amadeus Mozart, Carol Vaness, Riccardo Muti, Wiener Philharmoniker | D Minor | 1 | 7A | 119 BPM | ||
Bizet: Carmen, Act 1: "Mais nous ne voyons pas la Carmencita!" "Quand je vous aimerai?" (Jeunes gens, Dragons, Cigarières, Carmen) | Georges Bizet, Sir Simon Rattle, Berliner Philharmoniker, Chor des Deutschen Staatsoper, Chor und Kinderchor der Deutschen Staatsoper Berlin, Eberhard Friedrich, Magdalena Kozená, Vinzenz Weissenburger | F Minor | 1 | 4A | 86 BPM |
Section: 0.7798967361450195
End: 0.7847294807434082