"Julie: Act I, Scene 10" by Philippe Boesmans, Chamber Orchestra of La Monnaie, Garry Magee, Malena Ernman, Kerstin Avemo, Kazushi Ono was released on October 1, 2009. With Julie: Act I, Scene 10 being less than two minutes long, at 1:19, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 10 out of 12 in Boesmans: Julie - Opera in One Act by Philippe Boesmans, Chamber Orchestra of La Monnaie, Garry Magee, Malena Ernman, Kerstin Avemo, Kazushi Ono. Going off of the ISRC code of this track, we detected that the origin of this track is from Belgium. Julie: Act I, Scene 10 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Julie: Act I, Scene 10 by Philippe Boesmans, Chamber Orchestra of La Monnaie, Garry Magee, Malena Ernman, Kerstin Avemo, Kazushi Ono is Adagio (slowly with great expression), since this song has a tempo of 70 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concierto Pastoral for Flute and Orchestra: II. Adagio | Joaquín Rodrigo, Sami Junnonen, Helsinki Chamber Orchestra, James S. Kahane | F♯ Minor | 0 | 11A | 80 BPM | ||
Strauss, R: 6 Lieder, Op. 37: No. 3, Meinem Kinde | Richard Strauss, Sabine Devieilhe, Mathieu Pordoy | G Minor | 0 | 6A | 82 BPM | ||
Viens, mon bien-aimé | Cécile Chaminade, Sivan Goldman, Shira Shaked | G Major | 1 | 9B | 168 BPM | ||
Poème d'un jour, Op. 21: No. 1, Rencontre | Gabriel Fauré, Stéphane Degout, Alain Planès | D♭ Major | 7 | 3B | 90 BPM | ||
El plan | Federico Jusid | E Minor | 0 | 9A | 46 BPM | ||
Pinocchio: Scène 20 | Philippe Boesmans, Orchestre Symphonique De La Monnaie, Patrick Davin, Stéphane Degout | G Major | 1 | 9B | 90 BPM | ||
Celos (Arr. for Violin & String Orchestra by Ken Selden) | Astor Piazzolla, Tomás Cotik, Martingale Ensemble, Ken Selden | F Major | 3 | 7B | 141 BPM | ||
Annelies (chamber version): I. Introit - Prelude | James Whitbourn, Arianna Zukerman, Westminster Williamson Voices, Lincoln Trio, Bharat Chandra, James Jordan | C Minor | 1 | 5A | 84 BPM | ||
Puts: The Hours, Act 1: "Platters! - What’s That, Babe?" (Clarissa, Sally, Chorus) [Live] | Kevin Puts, Yannick Nézet-Séguin, Denyce Graves, Metropolitan Opera Chorus, Renée Fleming, Metropolitan Opera Orchestra | A Major | 1 | 11B | 79 BPM | ||
Violin Concerto: III. Sonata | Maya Badian, Florin Paul, Romanian National Orchestra, Ludovic Bacs | A♭ Major | 2 | 4B | 88 BPM |
Section: 0.6382756233215332
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