Josef Strauss, Daniel Barenboim, Wiener Philharmoniker made "Nymphen-Polka, Op. 50" available on January 7, 2022. With this song being around four minutes long, at 3:58, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 19 in the song's album "Neujahrskonzert 2022 / New Year's Concert 2022 / Concert du Nouvel An 2022". In this album, this song's track order is #5. Nymphen-Polka, Op. 50 is below average in popularity right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Nymphen-Polka, Op. 50 by Josef Strauss, Daniel Barenboim, Wiener Philharmoniker having a BPM of 72 with a half-time of 36 BPM and a double-time of 144 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Persischer Marsch | Johann Strauss Orchester | G Minor | 3 | 6A | 117 BPM | ||
La Norma: Ouverture | Vincenzo Bellini, Rundfunkorchester Des Südwestfunks, Klaus Arp3 | A Major | 1 | 11B | 123 BPM | ||
Grubenlichter-Walzer | Carl Zeller, Riccardo Muti, Wiener Philharmoniker | F Major | 2 | 7B | 98 BPM | ||
Ballszene | Joseph Hellmesberger, Sr., Göttingen Symphony Orchestra, Christian Simonis | B Major | 3 | 1B | 98 BPM | ||
La Grande Duchess de Gerolstein, Acte III (Tableau 2): No 19: Entracte et Galop | Jacques Offenbach, Felicity Lott, Sandrine Piau, Yann Beuron, Choeur des Musiciens du Louvre, Les Musiciens du Louvre, Grenoble, Marc Minkowski | D Major | 4 | 10B | 92 BPM | ||
Les Sylphides: 7. Valse | Frédéric Chopin, National Philharmonic Orchestra, Richard Bonynge | D♭ Minor | 1 | 12A | 79 BPM | ||
Les Contes d'Hoffmann / Act 1: Entr'acte | Jacques Offenbach, Orchestre de la Suisse Romande, Richard Bonynge | E Major | 2 | 12B | 100 BPM | ||
Die verkaufte Braut: Overture | Staatskapelle Dresden, Otmar Suitner | F Major | 4 | 7B | 146 BPM | ||
Prince Igor, Act II: Polovtsian Dances, Dance III | Alexander Borodin, Paavo Järvi, Orchestre Philharmonique de Radio France | F Major | 1 | 7B | 74 BPM | ||
8 Slavonic Dances, Op. 46: No. 8 in G minor (Presto) | Antonín Dvořák, Gewandhausorchester, Kurt Masur | G Major | 1 | 9B | 135 BPM |
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