- BPM
- 98
- Key
- B♭ Major
- Camelot
- 6B
La Grande Duchess de Gerolstein, Acte III (Tableau 2): No 21: Complainte de Fritz 'Eh bien mon Altesse me voilà! Ohlalà' (Fritz/Duchesse/Puck/Boum/Choeur) - Jacques Offenbach, Felicity Lott, Yann Beuron, Les Musiciens du Louvre.Grenoble, Marc Minkowski, Francois Le Roux, Franck Leguérinel Information
- Acousticness
- 95%
- Danceability
- 59%
- Energy
- 12%
- Instrumentalness
- 0%
- Liveness
- 5%
- Loudness
- 67%
- Speechiness
- 4%
- Valence
- 84%
- Popularity
- 1%
- Loudness
- -19.95 dB
Summary
On 1998, the song "La Grande Duchess de Gerolstein, Acte III (Tableau 2): No 21: Complainte de Fritz 'Eh bien mon Altesse me voilà! Ohlalà' (Fritz/Duchesse/Puck/Boum/Choeur)" was released by Jacques Offenbach, Felicity Lott, Yann Beuron, Les Musiciens du Louvre.Grenoble, Marc Minkowski, Francois Le Roux, Franck Leguérinel. With This song being less than two minutes long, at 1:42, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 26 in the song's album "Offenbach Opera Highlights". In this album, this song's track order is #26. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, La Grande Duchess de Gerolstein, Acte III (Tableau 2): No 21: Complainte de Fritz 'Eh bien mon Altesse me voilà! Ohlalà' (Fritz/Duchesse/Puck/Boum/Choeur) is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
La Grande Duchess de Gerolstein, Acte III (Tableau 2): No 21: Complainte de Fritz 'Eh bien mon Altesse me voilà! Ohlalà' (Fritz/Duchesse/Puck/Boum/Choeur) BPM
With La Grande Duchess de Gerolstein, Acte III (Tableau 2): No 21: Complainte de Fritz 'Eh bien mon Altesse me voilà! Ohlalà' (Fritz/Duchesse/Puck/Boum/Choeur) by Jacques Offenbach, Felicity Lott, Yann Beuron, Les Musiciens du Louvre.Grenoble, Marc Minkowski, Francois Le Roux, Franck Leguérinel having a BPM of 98 with a half-time of 49 BPM and a double-time of 196 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 1/4.
La Grande Duchess de Gerolstein, Acte III (Tableau 2): No 21: Complainte de Fritz 'Eh bien mon Altesse me voilà! Ohlalà' (Fritz/Duchesse/Puck/Boum/Choeur) Key
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
![Spartacus, Act III: Adagio of Spartacus and Phrygia (arr. Y. Grigorovich) [1968 Bolshoi Version] by Aram Khachaturian, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Michail Jurowski](https://i.scdn.co/image/ab67616d00001e02c21d253eed4ccdd547b4b94d) | Spartacus, Act III: Adagio of Spartacus and Phrygia (arr. Y. Grigorovich) [1968 Bolshoi Version] | Aram Khachaturian, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Michail Jurowski | E Major | 2 | 12B | 123 BPM | |
 | J. Strauss: Radetzky March | Johann Strauss I, Willi Boskovsky, Wiener Johann Strauss Orchester | A Major | 4 | 11B | 112 BPM | |
 | Pelléas et Mélisande, Op.80: 3. Sicilienne | Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner | G Minor | 0 | 6A | 111 BPM | |
 | Le roi s'amuse: Passepied | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Major | 1 | 11B | 88 BPM | |
 | Boccherini: String Quintet in E Major, Op. 11 No. 5, G. 275: III. Minuetto - Trio (Arr. Woodhouse for String Orchestra) | Luigi Boccherini, Sir Neville Marriner, Academy of St. Martin in the Fields | A Major | 0 | 11B | 85 BPM | |
 | Orfeo ed Euridice: "Act III, Scene 1, Orfeo: Che farò senza Euridice? " | Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester, RIAS Kammerchor | G Major | 1 | 9B | 71 BPM | |
 | Il barbiere di Siviglia (The Barber of Seville): Overture | Gioachino Rossini, Zagreb Festival Orchestra, Michael Halasz | E Major | 1 | 12B | 171 BPM | |
 | Il Trovatore / Act 3: "Di quella pira" | Giuseppe Verdi, Joseph Calleja, Angela Gheorghiu, Apollo Voices, Orquestra de la Comunitat Valenciana, Ramón Tebar | C Major | 4 | 8B | 80 BPM | |
 | Offenbach: Die schöne Helena (Gesamt) 1. Akt (1994 Digital Remaster): Nr. 7b: Ich bin Ajax, Held im Kriege | Jacques Offenbach, Bavarian Radio Chorus, Brigitte Fassbaender, Martin Finke, Ferry Gruber, Klaus Hirte, Benno Kusche (Bariton), Norbert Orth, Willy Mattes, Friedrich Lenz, Muenchner Rundfunkorchester, Munich Radio Orchestra | D Major | 4 | 10B | 80 BPM | |
 | 21 Hungarian Dances, WoO 1: Hungarian Dance No. 11 in D Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | A Minor | 0 | 8A | 76 BPM |
- ISRC
- GBAYC0402611
- Label
- L-M Records/RCA Records