Christoph Graupner, Lajos Lencsés, Budapest Strings, Karoly Botvay made "Oboe d'amore Concerto in D Major: II. Allegro" available on January 1, 1993. With this song being around four minutes long, at 3:46, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 11 in the song's album "Oboe Concertos - Stulick, M.N. / Graupner, C./ Forster, C. / Dittersdorf, C.D. Von". In this album, this song's track order is #5. In terms of popularity, Oboe d'amore Concerto in D Major: II. Allegro is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Oboe d'amore Concerto in D Major: II. Allegro by Christoph Graupner, Lajos Lencsés, Budapest Strings, Karoly Botvay having a BPM of 118 with a half-time of 59 BPM and a double-time of 236 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Furcht und Zagen, GWV 1102/11b: Aria: Verstosse doch dein Erbteil nicht | Christoph Graupner, Miriam Feuersinger, Capricornus Consort Basel, Péter Barczi | B Minor | 2 | 10A | 85 BPM | ||
Pyrrhus, Acte III Scène 1: Ritournelle | Joseph-Nicolas-Pancrace Royer, Les Talens Lyriques, Christophe Rousset | F Minor | 2 | 4A | 176 BPM | ||
Airs for the Autumn: Marvel of Peru: II. Comic: Allegro ma non presto | James Oswald, The Broadside Band | F♯ Major | 3 | 2B | 121 BPM | ||
Concerto Pour Basson, Deux Violons, Alto Et Basse Continue En Si Bémol Majeur, GWV 340 340 (Moderato): I. Moderato | Christoph Graupner, Mathieu Lussier, Natalie Michaud, Geneviève Soly, Les idées heureuses | A Major | 0 | 11B | 93 BPM | ||
Scarlatti, D: Keyboard Sonata in G Major, Kk. 235 | Domenico Scarlatti, Scott Ross | F♯ Major | 5 | 2B | 68 BPM | ||
12 Concerti grossi After Corelli, No. 4 in F Major, H. 135: IV. Adagio | Francesco Geminiani, Boston Baroque, Martin Pearlman | D♭ Minor | 1 | 12A | 132 BPM | ||
Symphony in C Major, H. 659, Wq. 182/3: I. Allegro assai | Carl Philipp Emanuel Bach, Akademie für Alte Musik Berlin, Georg Kallweit | D♭ Major | 1 | 3B | 140 BPM | ||
Violin Sonata in E Major, Op. 5 No. 11 (Transcr. for Viola da Gamba and Continuo by Teodoro Baù): III. Adagio | Arcangelo Corelli, Teodoro Baù, Andrea Buccarella | D♭ Minor | 1 | 12A | 110 BPM | ||
Sinfonia melodica in C Major, TWV 50:2: Sinfonia melodica in C Major, TWV 50:2: I. Vivace assai | Georg Philipp Telemann, Akademie für Alte Musik Berlin, Bernhard Forck | B Major | 1 | 1B | 109 BPM | ||
Soll nun das unschuldsvolle Lamm, Estomihi GWV 1119/13: III. Nr. 3 Aria (Jesus) Drum werd‘ ich ohne mein Verschulden | Christoph Graupner, Kirchheimer BachConsort, Florian Heyerick, Dominik Worner | B Major | 2 | 1B | 88 BPM |
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