Christoph Graupner, Kirchheimer BachConsort, Florian Heyerick, Dominik Worner's 'Soll nun das unschuldsvolle Lamm, Estomihi GWV 1119/13: III. Nr. 3 Aria (Jesus) Drum werd‘ ich ohne mein Verschulden' came out on May 9, 2024. The duration of Soll nun das unschuldsvolle Lamm, Estomihi GWV 1119/13: III. Nr. 3 Aria (Jesus) Drum werd‘ ich ohne mein Verschulden is about two minutes long, specifically at 2:53. This song does not appear to have any foul language. Soll nun das unschuldsvolle Lamm, Estomihi GWV 1119/13: III. Nr. 3 Aria (Jesus) Drum werd‘ ich ohne mein Verschulden's duration is considered a little bit shorter than the average duration of a typical track. The song is number 3 out of 28 in Christoph Graupner: Solo & Dialogue Cantatas II by Christoph Graupner, Kirchheimer BachConsort, Florian Heyerick. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Soll nun das unschuldsvolle Lamm, Estomihi GWV 1119/13: III. Nr. 3 Aria (Jesus) Drum werd‘ ich ohne mein Verschulden is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Soll nun das unschuldsvolle Lamm, Estomihi GWV 1119/13: III. Nr. 3 Aria (Jesus) Drum werd‘ ich ohne mein Verschulden by Christoph Graupner, Kirchheimer BachConsort, Florian Heyerick, Dominik Worner is Andante (at a walking pace), since this song has a tempo of 88 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
B Major is the music key of this track. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto à otto stromenti in D Major: II. Largo | Francesco Maria Veracini, Chouchane Siranossian, Venice Baroque Orchestra, Andrea Marcon | B Minor | 1 | 10A | 109 BPM | ||
Concerto VIII in C Minor from 24 Concerti di Napoli for Recorder, 2 Violins and Basso Continuo: I. Vivace | Francesco Mancini, Barbara Heindlmeier, La Festa Musicale | A♭ Minor | 1 | 1A | 61 BPM | ||
Violin Sonata in G Minor, Op. 2 No. 3: I. Adagio | Michele Mascitti, Fabrizio Cipriani, Antonio Fantinuoli | B Major | 2 | 1B | 111 BPM | ||
Suite a fur Blockflote, Streicher und Generalbass: Passpied 1/2 | Cologne Chamber Orchestra | E Minor | 1 | 9A | 132 BPM | ||
November, Gwv 119: Vi. Chaconne | Christoph Graupner, De Luca Fernando | B Major | 5 | 1B | 107 BPM | ||
Hamburg Symphony No. 6 in E Major, Wq. 182: II. Poco andante | Carl Philipp Emanuel Bach, Arte dei Suonatori, Marcin Świątkiewicz | D♭ Major | 3 | 3B | 100 BPM | ||
Violin Sonata in C Major, Op. 5 No. 3: III. Adagio (Version for Flute) | Arcangelo Corelli, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
Concerto for Two Violins in D Minor, BWV 1063r: I. Allegro | Johann Sebastian Bach, Combattimento | D Minor | 4 | 7A | 176 BPM | ||
Concerto di Flauti, S.D945: III. Presto | Alessandro Marcello, Dorothee Oberlinger | G Major | 1 | 9B | 143 BPM | ||
Sinfonia No. 7 in G Minor, RosS 533.7: II. Moderato | Alessandro Scarlatti, Dorothee Oberlinger, Ensemble 1700 | A♭ Minor | 2 | 1A | 117 BPM |
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