"Prelude and Fugue in C Minor, Op. 146: Fugue" by Healey Willan, Patrick Wedd was released on December 13, 2005. Since Prelude and Fugue in C Minor, Op. 146: Fugue is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Willan: Organ Works by Healey Willan. The song's track number on the album is #2 out of 16 tracks. Based on our data, Hong Kong was the country where this track was produced or recorded. Prelude and Fugue in C Minor, Op. 146: Fugue is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Prelude and Fugue in C Minor, Op. 146: Fugue by Healey Willan, Patrick Wedd has a tempo of 67 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Prelude and Fugue in C Minor, Op. 146: Fugue being at 67 BPM, the half-time would be 34 BPM with a double-time of 134 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lorica Of St. Patrick | Benedictines of Mary, Queen of Apostles | A♭ Minor | 2 | 1A | 79 BPM | ||
Introduction, Passacaglia and Fugue: II. Passacaglia | Healey Willan, Rachel Mahon | F Minor | 3 | 4A | 102 BPM | ||
Sunrise Mass: II. Sunrise | Ola Gjeilo, Westminster Williamson Voices, Sunrise Mass Orchestra, James Jordan | G Major | 2 | 9B | 77 BPM | ||
Notre Père | Sexteto Cantábile | F♯ Major | 1 | 2B | 84 BPM | ||
Communion Service in C Major: Sanctus | John Ireland, Lincoln Cathedral Choir, Charles Harrison, Aric Prentice | F Major | 0 | 7B | 74 BPM | ||
Tallis: Spem in Alium - 4. Respice (Repeat) | The Tallis Scholars, Peter Phillips | D Major | 3 | 10B | 89 BPM | ||
Mass for Double Choir: IV. Sanctus - Benedictus | Frank Martin, Westminster Choir, Joe Miller | D Major | 2 | 10B | 122 BPM | ||
Londonderry Air | Healey Willan, Philippe Sly, Michael McMahon | D♭ Major | 0 | 3B | 103 BPM | ||
Messe Solennelle, Op. 16 - Agnus Dei | Louis Vierne, Francis Bardot, Louis Vierne, Pierre Pincemaille, Choer d'Enfants de l'Opera National de Paris:Maîtrise des Hauts-de-Seine, Francis Bardot | A♭ Major | 1 | 4B | 135 BPM | ||
6 Chansons: No. 2. Un cygne | Paul Hindemith, SWR Vokalensemble Stuttgart, Marcus Creed | E Minor | 1 | 9A | 82 BPM |
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