John Dowland, The Royal Wind Music, Paul Leenhouts's 'The Earle of Essex Galiard' came out on September 20, 2009. With The Earle of Essex Galiard being less than two minutes long, at 1:16, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 30 in the song's album "The Flute-Heaven of the Gods". In this album, this song's track order is #19. The Earle of Essex Galiard is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Earle of Essex Galiard by John Dowland, The Royal Wind Music, Paul Leenhouts having a BPM of 59 with a half-time of 30 BPM and a double-time of 118 BPM, we would consider this track to have a Lento (slowly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
D'un autre amer: D'ung aultre amer | Johannes Ockeghem, Capilla Flamenca | D Minor | 1 | 7A | 86 BPM | ||
Espagnoletta | Gaspar Sanz, Atrium Musicae de Madrid, Gregorio Paniagua | C Minor | 0 | 5A | 141 BPM | ||
Tarantella | David Douglass, The King's Noyse | E Major | 2 | 12B | 139 BPM | ||
Aurora Corrente. Capricci a Due Stromenti | Bellerofonte Castaldi, Dolce Rima, Paula Brieba del Rincón | G Major | 0 | 9B | 111 BPM | ||
A Fancy, P. 73 | John Dowland, Bor Zuljan | F Minor | 1 | 4A | 95 BPM | ||
Toccata VIII | Alessandro Piccinini, Rosario Conte | F♯ Minor | 1 | 11A | 94 BPM | ||
Adieu delices de mon ceur | Jacob Clemens non Papa, Harmonia Recorder Ensemble | D Minor | 0 | 7A | 79 BPM | ||
Terpsichore*: Ballet des coqs | Michael Praetorius, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof | C Major | 4 | 8B | 106 BPM | ||
[Suite en sol mineur]: I. Prélude (No. 63) | Marin Marais, François Joubert-Caillet, L'Achéron | F♯ Minor | 0 | 11A | 115 BPM | ||
Il bianco e dolce cigno | Jacques Arcadelt, Cappella Mediterranea, Leonardo García-Alarcón | A Minor | 1 | 8A | 131 BPM |
Section: 0.6022861003875732
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