Josef Strauss, Zubin Mehta, Wiener Philharmoniker's 'Flattergeister, Walzer, Op. 62' came out on 2007. Since Flattergeister, Walzer, Op. 62 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 19 in the song's album "Neujahrskonzert / New Year's Concert 2007". In this album, this song's track order is #2. In terms of popularity, Flattergeister, Walzer, Op. 62 is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Flattergeister, Walzer, Op. 62 by Josef Strauss, Zubin Mehta, Wiener Philharmoniker having a BPM of 97 with a half-time of 48 BPM and a double-time of 194 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Aida / Act 2: "Gloria all'Egitto" | Giuseppe Verdi, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli, Chor der Deutschen Oper Berlin | G Major | 3 | 9B | 86 BPM | ||
Studenten Polka, Polka française, Op. 263 | Johann Strauss II, Zubin Mehta, Wiener Philharmoniker | F Major | 1 | 7B | 81 BPM | ||
Ponchielli: La Gioconda, Op. 9, Act 3: Dance of the Hours (Excerpt) | Amilcare Ponchielli, Sir Neville Marriner, Academy of St. Martin in the Fields | E Major | 0 | 12B | 79 BPM | ||
Gold und Silber (Gold and Silver), Op. 79: Waltz | Franz Lehár, Budapest Symphony Orchestra, Géza Oberfrank | C Minor | 3 | 5A | 80 BPM | ||
La Bayadère / Act 2: No.30 Tempo di valse | Ludwig Minkus, English Chamber Orchestra, Richard Bonynge | G Major | 0 | 9B | 100 BPM | ||
Soirees musicales, Op. 9: V. Tarantella | Benjamin Britten, Helsingborg Symphony Orchestra, Okko Kamu | B♭ Major | 2 | 6B | 80 BPM | ||
Anna Bolena: Sinfonia (Overture) | Gaetano Donizetti, Welsh National Opera Orchestra, Richard Bonynge | E Major | 3 | 12B | 146 BPM | ||
Obertura Caballeria Ligeria | La Orquesta Y Coros Del Festival De Praga | A Major | 2 | 11B | 123 BPM | ||
Dronning Louise Vals (1868) | Hans Christian Lumbye, Tivoli Symphony Orchestra | A Major | 2 | 11B | 105 BPM | ||
No. 4, Marcia all turca | Ludwig van Beethoven, Dennis Russell Davies, Mechthild Gessendorf, Roger Andrews, Joseph Flummerfelt, Orchestra of St. Luke's, New York Choral Artists | F Major | 2 | 7B | 99 BPM |
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