"Panis Angelicus, FWV 61 - Remastered" by César Franck, Andrea Bocelli, Orchestra dell'Accademia Nazionale di Santa Cecilia, Coro dell'Accademia Nazionale Di Santa Cecilia, Myung-Whun Chung was released on January 1, 2000. With this song being around four minutes long, at 3:32, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 5 out of 17 in Arie sacre by Andrea Bocelli, Myung-Whun Chung, Orchestra dell'Accademia Nazionale di Santa Cecilia. Going off of the ISRC code of this track, we detected that the origin of this track is from Italy. Panis Angelicus, FWV 61 - Remastered is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Panis Angelicus, FWV 61 - Remastered by César Franck, Andrea Bocelli, Orchestra dell'Accademia Nazionale di Santa Cecilia, Coro dell'Accademia Nazionale Di Santa Cecilia, Myung-Whun Chung is Adagio (slowly with great expression), since this song has a tempo of 76 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Insieme A Te | Alessandro Safina | D Major | 4 | 10B | 111 BPM | ||
MAGNIFICAT: VI. Suscepit Israel | Kim André Arnesen, Anita Brevik, Nidarosdomens jentekor, TrondheimSolistene, Lise Granden Berg, Cecilie Ertzaas Overrein, Maria Næss, Øyvind Gimse | B♭ Major | 1 | 6B | 72 BPM | ||
Les Contes d'Hoffmann / Act III: Barcarolle (Arr. for Violin, Cello, Piano and String Ensemble by Aleksandar Sedlar) | Jacques Offenbach, Nemanja Radulović, Camille Thomas, Double Sens | D Major | 0 | 10B | 73 BPM | ||
Bizet: Carmen, WD 31, Act 3, Scene 1: "Je dis que rien ne m'épouvante" (Micaëla) | Georges Bizet, Giuseppe Sinopoli, Angela Gheorghiu, Bavarian State Orchestra | E♭ Major | 0 | 5B | 135 BPM | ||
Trumpet Voluntary | London Concert Orchestra | D Major | 2 | 10B | 101 BPM | ||
Concerto for Violin, Strings and Basso Continuo in C Minor RV 761, "Amato Bene": I. Allegro | Antonio Vivaldi, Anastasiya Petryshak, Luigi Piovano, Orchestra dell'Accademia Nazionale di Santa Cecilia | C Minor | 2 | 5A | 124 BPM | ||
Fantasia on Greensleeves | Ralph Vaughan Williams, Ralph Greaves, New Zealand Symphony Orchestra, James Judd | C Minor | 0 | 5A | 78 BPM | ||
Notte 'e piscatore - Live | Luciano Pavarotti, Andrea Bocelli | B Major | 4 | 1B | 84 BPM | ||
La forza dell’amore e dell’odio: "Vado a morir" | Francesco Araia, Cecilia Bartoli, I Barocchisti, Diego Fasolis | E Minor | 2 | 9A | 176 BPM | ||
Manon Lescaut / Act II: "In quelle trine morbide" | Giacomo Puccini, Anna Netrebko, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | B♭ Minor | 1 | 3A | 168 BPM |
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