"Eine Alpensinfonie, Op. 64, TrV 233: No. 18, Stille vor dem Sturm" by Richard Strauss, Boston Symphony Orchestra, Andris Nelsons was released on May 6, 2022. The duration of Eine Alpensinfonie, Op. 64, TrV 233: No. 18, Stille vor dem Sturm is about two minutes long, specifically at 2:56. This song does not appear to have any foul language. Eine Alpensinfonie, Op. 64, TrV 233: No. 18, Stille vor dem Sturm's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 93 in the song's album "Strauss". In this album, this song's track order is #60. Furthermore, we believe that the track originated from Germany. Eine Alpensinfonie, Op. 64, TrV 233: No. 18, Stille vor dem Sturm is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Eine Alpensinfonie, Op. 64, TrV 233: No. 18, Stille vor dem Sturm by Richard Strauss, Boston Symphony Orchestra, Andris Nelsons having a BPM of 72 with a half-time of 36 BPM and a double-time of 144 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rienzi: Overture | Richard Wagner, Wiener Philharmoniker, Sir Georg Solti | D Major | 3 | 10B | 99 BPM | ||
Piano Quintet in C Minor: I. Andante | Alexander Borodin, Ilona Prunyi, New Budapest Quartet | C Minor | 1 | 5A | 68 BPM | ||
Kinderszenen, Op.15: 12. Kind im Einschlummern | Robert Schumann, Martha Argerich | E Minor | 0 | 9A | 123 BPM | ||
Der Bürger als Edelmann Suite, Op. 60, TrV 228c: I. Ouvertüre | Richard Strauss, Tonkünstler-Orchester, Jun Markl | C Major | 0 | 8B | 128 BPM | ||
Don Quixote, Op. 35, TrV 184: Variation III. Gespräche zwischen Ritter und Knappe | Richard Strauss, Oslo Philharmonic Orchestra, Vasily Petrenko, Louisa Tuck, Catherine Bullock | C Major | 0 | 8B | 134 BPM | ||
Appalachian Spring: III. Moderato | Aaron Copland, Leonard Bernstein, New York Philharmonic | F♯ Major | 0 | 2B | 177 BPM | ||
Japanese Suite, Op. 33: VI. Finale: Dance of the Wolves | Gustav Holst, Ulster Orchestra, Joann Falletta | C Minor | 4 | 5A | 101 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): V. Les dragons d'Alcala | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | F Minor | 0 | 4A | 60 BPM | ||
Carnival of the Animals, R. 125: VII. Aquarium (Narrated by Jimmy Fallon) | Camille Saint-Saëns, Lang Lang, Gina Alice, Gewandhausorchester, Andris Nelsons, Jimmy Fallon | C Major | 4 | 8B | 103 BPM | ||
Symphonie fantastique, Op. 14: II. Un bal | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | A Major | 1 | 11B | 107 BPM |
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