Gaetano Donizetti, Samuel Ramey, Ambrosian Opera Chorus, New Philharmonia Orchestra, Jesús López-Cobos's 'Lucia di Lammermoor / Act 3: "D'immenso giubilo"' came out on January 1, 2002. The duration of Lucia di Lammermoor / Act 3: "D'immenso giubilo" is about two minutes long, specifically at 2:14. This song does not appear to have any foul language. Lucia di Lammermoor / Act 3: "D'immenso giubilo"'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 9 out of 37 in Donizetti: Lucia di Lammermoor by Gaetano Donizetti, Montserrat Caballé, José Carreras, Samuel Ramey, New Philharmonia Orchestra, Jesús López-Cobos. Based on our statistics, Lucia di Lammermoor / Act 3: "D'immenso giubilo"'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Lucia di Lammermoor / Act 3: "D'immenso giubilo" by Gaetano Donizetti, Samuel Ramey, Ambrosian Opera Chorus, New Philharmonia Orchestra, Jesús López-Cobos is Allegro (fast, quick, and bright), since this song has a tempo of 134 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les Contes d'Hoffmann (2003 - Remaster), Act II: Les oiseaux dans la charmille :Chanson de la poupéee (Olympia/Chorus) | Jacques Offenbach, Gianna d' Angelo/Choeurs René Duclos/Orchestre de la Société des Concerts du Conservatoire/André Cluytens, André Cluytens, Orchestre De La Société Des Concerts Du Conservatoire | A♭ Major | 1 | 4B | 103 BPM | ||
Norma - Critical Edition by Maurizio Biondi and Riccardo Minasi / Act 1 Scene 1: "Casta Diva" | Vincenzo Bellini, Cecilia Bartoli, International Chamber Vocalists, Orchestra La Scintilla, Giovanni Antonini | F Major | 1 | 7B | 176 BPM | ||
Barcarolle: Schöne Nacht, du Liebesnacht - Hoffmanns Erzählungen | Jacques Offenbach, Jesús López-Cobos, Hei-Kyung Hong, Jennifer Larmore, Munich Radio Orchestra | D Major | 2 | 10B | 81 BPM | ||
La Cenerentola: Overture (Sinfonia) | Gioachino Rossini, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | A Minor | 1 | 8A | 116 BPM | ||
La Gioconda / Act 1: "Voce di donna o d'angelo" | Amilcare Ponchielli, Olga Borodina, Orchestra of the Welsh National Opera, Carlo Rizzi | E♭ Major | 1 | 5B | 78 BPM | ||
Roméo et Juliette, Acte II: "L'amour... Ah! Lève-toi, soleil!" | Charles Gounod, Jonas Kaufmann, Bertrand de Billy | F Major | 1 | 7B | 80 BPM | ||
Bizet: Carmen, WD 31, Act 1 Scene 4: No. 5, Havanaise, "L'amour est un oiseau rebelle" (Carmen, Chorus) | Georges Bizet, Maria Callas, Orchestre de l'Opéra National de Paris, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris | D Major | 1 | 10B | 134 BPM | ||
Les contes d'Hoffmann: Les oiseaux dans la charmille | Jacques Offenbach, Susanne Elmark, Sønderjyllands Symfoniorkester, Robert Reimer | A♭ Major | 1 | 4B | 86 BPM | ||
Wagner: Lohengrin: "Mein lieber Schwan" (Lohengrin) | Richard Wagner, Michael Spyres, Christophe Rousset, Les Talens Lyriques | G Major | 1 | 9B | 62 BPM | ||
Louise, Act III: Depuis le jour | Gustave Charpentier, Kathleen Battle, Orchestre de l’Opéra national de Paris, Myung-Whun Chung | G Major | 1 | 9B | 90 BPM |
Section: 0.7682392597198486
End: 0.7727077007293701