"Concerto Funebre for Solo Violin and String Orchestra: III. Allegro di molto" by Karl Amadeus Hartmann, Marianne Piketty, Le Concert Idéal was released on April 10, 2020. Since Concerto Funebre for Solo Violin and String Orchestra: III. Allegro di molto is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 8 out of 10 in Blue Hour by Marianne Piketty, Le Concert Idéal. In terms of popularity, Concerto Funebre for Solo Violin and String Orchestra: III. Allegro di molto is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Concerto Funebre for Solo Violin and String Orchestra: III. Allegro di molto by Karl Amadeus Hartmann, Marianne Piketty, Le Concert Idéal is Andante (at a walking pace), since this song has a tempo of 105 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Prélude à l’après-midi d’un faune, 900846: Debussy: Prélude à l’après-midi d’un faune | Claude Debussy, Mariss Jansons, Bavarian Radio Symphony Orchestra | E♭ Major | 0 | 5B | 82 BPM | ||
Made Of Dreams | Return Of Dream | B♭ Minor | 2 | 3A | 172 BPM | ||
Katya Kabanova, JW I/8, Act II Scene 2: Introduction | Leoš Janáček, Sir Simon Rattle, London Symphony Orchestra | A♭ Major | 0 | 4B | 79 BPM | ||
Concerto funebre: III. Allegro di molto | Karl Amadeus Hartmann, Alina Ibragimova, Britten Sinfonia | A Major | 3 | 11B | 87 BPM | ||
Altar de cuerda: I. Morisco chilango | Gabriela Ortiz, Los Angeles Philharmonic, Gustavo Dudamel, María Dueñas | B♭ Major | 5 | 6B | 129 BPM | ||
Clarinet Quartet: I. Notturno. Adagio | Krzysztof Penderecki, Kilian Herold, Florian Donderer, Barbara Buntrock, Tanja Tetzlaff | G Minor | 0 | 6A | 76 BPM | ||
Symphonic Dances, Op. 64: III. Allegro giocoso | Edvard Grieg, Bergen Philharmonic Orchestra, Edward Gardner | F Minor | 1 | 4A | 73 BPM | ||
Frustration | Christian Lindberg, Símon Bolívar Symphony Orchestra | G Major | 9 | 9B | 125 BPM | ||
Piano Trio in B Major, Op. 8: II. Scherzo. Allegro molto | Johannes Brahms, Paolo Ghidoni, Marco Perini, Ruggero Ruocco | A Major | 2 | 11B | 109 BPM | ||
Fantasia for Cello & Orchestra, W454: III. Allegro expressivo | Heitor Villa-Lobos, Antonio Meneses, Isaac Karabtchevsky, Orquestra Sinfônica do Estado de São Paulo | E♭ Major | 1 | 5B | 133 BPM |
Section: 0.7059154510498047
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