Karl Amadeus Hartmann, Alina Ibragimova, Britten Sinfonia's 'Concerto funebre: III. Allegro di molto' came out on September 1, 2007. Since Concerto funebre: III. Allegro di molto is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Karl Amadeus Hartmann, Alina Ibragimova, Britten Sinfonia's "Hartmann: Concerto funebre; Violin Sonatas & Suites" album is number 3 out of 22. On top of that, United Kingdom appears to be the country where this track was created. Concerto funebre: III. Allegro di molto is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Concerto funebre: III. Allegro di molto by Karl Amadeus Hartmann, Alina Ibragimova, Britten Sinfonia to be Andante (at a walking pace) because the track has a tempo of 87 BPM, a half-time of 44BPM, and a double-time of 174 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Kammerkonzert: Tanz - Variation III | Karl Amadeus Hartmann, Paul Meyer, Christoph Poppen, Petersen Quartet, Munich Chamber Orchestra | E Minor | 1 | 9A | 87 BPM | ||
Music of the Spheres, BVN 128: IV. Like the Refraction of Sunbeams in the Waves | Rued Langgaard, Danish National Symphony Orchestra, Thomas Dausgaard | D Major | 2 | 10B | 168 BPM | ||
Piano Concerto No. 2 in G Minor, Op. 16: II. Scherzo. Vivace | Sergei Prokofiev, Andrei Korobeinikov, Ural Philharmonic Orchestra, Dmitry Liss | B Minor | 2 | 10A | 124 BPM | ||
Violin Concerto No. 1: I. Moderato | John Williams, James Ehnes, St. Louis Symphony, Stéphane Denève | G Major | 1 | 9B | 122 BPM | ||
Malta Suite for Clarinet and Piano: III. Il Kapcipa | Charles Camilleri, David Campbell, Julian Jacobson | A Minor | 2 | 8A | 139 BPM | ||
The Wooden Prince, Sz. 60 (Final Version): III. First Dance - Dance of the Princess in the Forest, Pt. 1 | Béla Bartók, BBC Scottish Symphony Orchestra, Thomas Dausgaard | F Major | 4 | 7B | 154 BPM | ||
String Quartet No. 8 in C Minor, Op. 110: I. Largo | Dmitri Shostakovich, Asasello Quartett | G Major | 0 | 9B | 88 BPM | ||
Why, Breaking Point, Door | The City of Prague Philharmonic Orchestra, Leigh Phillips | G Minor | 0 | 6A | 103 BPM | ||
Romeo and Juliet, Suite No. 2, Op. 64ter: I. The Montagues and Capulets | Sergei Prokofiev, Antwerp Symphony Orchestra, Elim Chan | B Major | 0 | 1B | 124 BPM | ||
Sonata for Violin and Cello (1920-22) / II. Très vif | Maurice Ravel, Yegor Dyachkov, Olivier Thouin | A Major | 1 | 11B | 79 BPM |
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