"Tres Sonetos: En que satisface un recelo con la retórica del Ilanto (Soneto 164)" by Michael Oesterle, Constantinople, Françoise Atlan was released on March 29, 2011. The duration of Tres Sonetos: En que satisface un recelo con la retórica del Ilanto (Soneto 164) is about 3 minutes long, at 3:09. Based on our data, "Tres Sonetos: En que satisface un recelo con la retórica del Ilanto (Soneto 164)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 8 out of 16 in Early Dreams by Constantinople. Based on our statistics, Tres Sonetos: En que satisface un recelo con la retórica del Ilanto (Soneto 164)'s popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Tres Sonetos: En que satisface un recelo con la retórica del Ilanto (Soneto 164) by Michael Oesterle, Constantinople, Françoise Atlan is Allegro (fast, quick, and bright), since this song has a tempo of 136 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 5/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Sultane, Sonade en quatuor: III. Air (Tendrement) | François Couperin, Gli Incogniti, Amandine Beyer | D♭ Major | 1 | 3B | 103 BPM | ||
Pass'emezzo antico: Recercada quinta | Diego Ortiz, Mika Suihkonen, Ballo della Battalia | F♯ Minor | 2 | 11A | 84 BPM | ||
Circé, Prologue Scene 2: Gigue pour les Nymphes et les Dieux des eaux | Henri Desmarets, Boston Early Music Festival Orchestra, Robert Mealy | C Major | 1 | 8B | 100 BPM | ||
LOrfeo, SV318: Signor, Quellinfelice | Claudio Monteverdi, Musica Sequenza, BURAK, Diana Ramirez | F♯ Minor | 1 | 11A | 75 BPM | ||
Christ lag in Todesbanden: II. Choral "Christ lag in Todesbanden" | Johann Kuhnau, Paul Agnew, Les Arts Florissants | E Major | 4 | 12B | 101 BPM | ||
Manuscrit Panmure: Courante in D Minor | Marin Marais, Noémie Lenhof, Guillaume Haldenwang, Alice Trocellier, Nicolas Wattinne | A♭ Minor | 2 | 1A | 141 BPM | ||
Zarabanda Española: Improvisación | Gaspar Sanz, Laberintos Ingeniosos | D♭ Major | 2 | 3B | 123 BPM | ||
Gray's Inn | Bülent Oral, Diego Leveric | E♭ Minor | 1 | 2A | 139 BPM | ||
Andantino [ms. 99] – Valtz [ms. 100] – Trio [ms. 101] – Andantino [ms. 102] | Niccolò Paganini, Mauro Bonelli | A♭ Major | 2 | 4B | 83 BPM | ||
Cancionero musical de palacio: No. 16, A los baños del amor | Anonymous, Música Temprana, Adrian Rodriguez van der Spoel | D Minor | 0 | 7A | 166 BPM |
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