"[Suite en Mi Mineur]: XI. Marche Persane la Savigny (No. 102)" by Marin Marais, François Joubert-Caillet, L'Achéron was released on June 9, 2023. The duration of [Suite en Mi Mineur]: XI. Marche Persane la Savigny (No. 102) is about two minutes long, specifically at 2:48. This song does not appear to have any foul language. [Suite en Mi Mineur]: XI. Marche Persane la Savigny (No. 102)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Marin Marais, François Joubert-Caillet, L'Achéron's "Marais: Cinquième livre de pièces de viole" album is number 31 out of 112. On top of that, Belgium appears to be the country where this track was created. In terms of popularity, [Suite en Mi Mineur]: XI. Marche Persane la Savigny (No. 102) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of [Suite en Mi Mineur]: XI. Marche Persane la Savigny (No. 102) by Marin Marais, François Joubert-Caillet, L'Achéron to be Moderato (at a moderate speed) because the track has a tempo of 117 BPM, a half-time of 58BPM, and a double-time of 234 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pass'emezzo antico: Recercada primera | Diego Ortiz, Mika Suihkonen, Ballo della Battalia | A♭ Minor | 2 | 1A | 76 BPM | ||
Intermedes de Xerxes: Bourre pour les Basques | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Major | 1 | 2B | 140 BPM | ||
Purcell : King Arthur : Overture to Act 1 | William Christie | C Minor | 2 | 5A | 140 BPM | ||
Fantasia-Suite No. 8 in D Major: I. Fantazia | William Lawes, Rachel Podger, Brecon Baroque | A♭ Minor | 2 | 1A | 112 BPM | ||
Concerto in E Minor: I. Adagio e staccato | Benedetto Marcello, Concerto Italiano, Rinaldo Alessandrini | B Major | 0 | 1B | 132 BPM | ||
Canzonets to Three Voyces: XI. O Fly Not | Thomas Morley, Josh Lee | B Major | 1 | 1B | 105 BPM | ||
Mystery (Rosary) Sonata No. 1, "The Annunciation": I. Praeludium | Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen, Battalia | D♭ Minor | 1 | 12A | 134 BPM | ||
Les Folies d'Espagne | Jean-Henri d'Anglebert, Marin Marais, Andrew Lawrence-King | G Major | 1 | 9B | 131 BPM | ||
Ariane et Bacchus, Act I: Récit. À Neptune nos chants paraissent agréables | Marin Marais, Tomislav Lavoie, Le Concert Spirituel, Les Chantres du Centre de Musique Baroque de Versailles, Herve Niquet | A♭ Major | 3 | 4B | 83 BPM | ||
Ariane et Bacchus, Prologue: Récit. Les fureurs de la guerre | Marin Marais, Véronique Gens, Le Concert Spirituel, Les Chantres du Centre de Musique Baroque de Versailles, Herve Niquet | C Major | 1 | 8B | 110 BPM |
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