Arthur Sullivan, Carl Davis, Shirley Henderson, Martin Savage made "But Soft.../Why Where Be Oi? from The Sorcerer - Voice" available on November 5, 1999. With this song being around four minutes long, at 3:42, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 19 in the song's album "Topsy-Turvy Original Motion Picture Soundtrack". In this album, this song's track order is #8. But Soft.../Why Where Be Oi? from The Sorcerer - Voice is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With But Soft.../Why Where Be Oi? from The Sorcerer - Voice by Arthur Sullivan, Carl Davis, Shirley Henderson, Martin Savage having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Trial by Jury: When First My Old, Old Love I Knew | Gilbert & Sullivan Society of Houston | D Major | 2 | 10B | 77 BPM | ||
Elijah, Op. 70: Introduction "As God the Lord of Israel Liveth" | Felix Mendelssohn, Simon Keenlyside, Paul McCreesh | F Minor | 0 | 4A | 75 BPM | ||
Requiem: 8. Lux aeterna & Libera me | Andrew Lloyd Webber, Plácido Domingo, Paul Miles-Kingston, Winchester Cathedral Choir, James Lancelot, English Chamber Orchestra, Lorin Maazel, Sarah Brightman | D Minor | 0 | 7A | 93 BPM | ||
Wiener Philharmoniker Fanfare, TrV 248 (Arr. Mealor) | Richard Strauss, Coronation Brass Ensemble, Paul Wynne Griffiths | C Major | 2 | 8B | 95 BPM | ||
Miserere in F Minor: Asperges me hyssopo (Soprano) | Giuseppe Sarti, Tamiko Okada, Irene Olavide, Victor Micaleff, Alberto Bianchi, Faenza Lauda Sion Chorus, Ferrara, Gianfranco Placci | C Major | 1 | 8B | 117 BPM | ||
H.M.S. Pinafore, Act I: Sir Joseph's Barge Is Seen | Gilbert & Sullivan Society of Houston | E Minor | 2 | 9A | 102 BPM | ||
Ruddigore: Dialogue: "Whither away?" | Sir Arthur Sullivan, Arthur Sullivan, Ohio Light Opera, Michael Borowitz | B♭ Minor | 0 | 3A | 67 BPM | ||
I Am the Captain of the Pinafore (from "H.M.S. Pinafore") | William Schwenck Gilbert, Arthur Sullivan, Neil Howlett, James Walker, Royal Philharmonic Orchestra | E Major | 3 | 12B | 105 BPM | ||
Bizet: Carmen, Act 2: "Votre toast, je peux vouz le rendre"/ "Toréador, en garde!" (Escamillo, Carmen, Frasquita, Mercédès, Moralès, Zuniga) | Georges Bizet, Sir Simon Rattle, Andrè Schuen, Berliner Philharmoniker, Christian Van Horn, Christina Landshammer, Kostas Smoriginas, Magdalena Kozená, Rachel Frenkel | F Major | 2 | 7B | 111 BPM | ||
The Pirates of Penzance: Oh! Is There Not One Maiden Breast | Marilyn Hill Smith, Philip Creasy | D♭ Major | 0 | 3B | 77 BPM |
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