Requiem, Op. 9: In Paradisum
Maurice Duruflé, Cathedral Choir of The Cathedral of St. Philip, David Fishburn, Dale Adelmann
Into the House and Gate of Heaven
2:51 January 13, 2015
BPM
100
Key
F♯ Major
Camelot
2B

Embed

Share Link

Requiem, Op. 9: In Paradisum - Maurice Duruflé, Cathedral Choir of The Cathedral of St. Philip, David Fishburn, Dale Adelmann Information

Acousticness
98%
Danceability
14%
Energy
5%
Instrumentalness
98%
Liveness
9%
Loudness
52%
Speechiness
5%
Valence
3%
Popularity
Loudness
-28.933 dB

Summary

"Requiem, Op. 9: In Paradisum" by Maurice Duruflé, Cathedral Choir of The Cathedral of St. Philip, David Fishburn, Dale Adelmann was released on January 13, 2015. The duration of Requiem, Op. 9: In Paradisum is about two minutes long, specifically at 2:51. This song does not appear to have any foul language. Requiem, Op. 9: In Paradisum's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Cathedral Choir of The Cathedral of St. Philip, Dale Adelmann's "Into the House and Gate of Heaven" album is number 17 out of 17. In terms of popularity, Requiem, Op. 9: In Paradisum is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Requiem, Op. 9: In Paradisum BPM

We consider the tempo marking of Requiem, Op. 9: In Paradisum by Maurice Duruflé, Cathedral Choir of The Cathedral of St. Philip, David Fishburn, Dale Adelmann to be Andante (at a walking pace) because the track has a tempo of 100 BPM, a half-time of 50BPM, and a double-time of 200 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.

Requiem, Op. 9: In Paradisum Key

This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Quatre petites prières de Saint François d’ Assise: I. Salut Dame Sainte by Francis Poulenc, Netherlands Chamber ChoirQuatre petites prières de Saint François d’ Assise: I. Salut Dame SainteFrancis Poulenc, Netherlands Chamber ChoirC Minor35A133 BPM
Hymnen, Op. 140: Nr. 4 Ave Regina by Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder BerniusHymnen, Op. 140: Nr. 4 Ave ReginaJosef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder BerniusD♭ Major13B69 BPM
The lily and the rose (version for mixed chorus and piano) by Bob Chilcott, Wellensian Consort, Gemma Beeson, Christopher FinchThe lily and the rose (version for mixed chorus and piano)Bob Chilcott, Wellensian Consort, Gemma Beeson, Christopher FinchA Minor18A77 BPM
Missa Tempore Quadragesimae, MH 553: Sanctus by Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy VashegyiMissa Tempore Quadragesimae, MH 553: SanctusMichael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy VashegyiA Major111B128 BPM
Messe solennelle pour deux orgues et choeur, Op. 16: III. Sanctus by Louis Vierne, Michel BouvardMesse solennelle pour deux orgues et choeur, Op. 16: III. SanctusLouis Vierne, Michel BouvardE Major312B69 BPM
Les Chansons des roses: No. 4. La Rose Complete. No. 5. Dirait-on by Morten Lauridsen, Leslie De'Ath, Elora Festival Singers, Noel EdisonLes Chansons des roses: No. 4. La Rose Complete. No. 5. Dirait-onMorten Lauridsen, Leslie De'Ath, Elora Festival Singers, Noel EdisonD♭ Major03B79 BPM
4 Gesange, Op. 17: Es tont ein voller Harfenklang by Johannes Brahms, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling4 Gesange, Op. 17: Es tont ein voller HarfenklangJohannes Brahms, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth RillingC Major18B111 BPM
6 Chansons: No. 2. Un cygne by Paul Hindemith, SWR Vokalensemble Stuttgart, Marcus Creed6 Chansons: No. 2. Un cygnePaul Hindemith, SWR Vokalensemble Stuttgart, Marcus CreedE Minor19A82 BPM
Requiem, Op. 9: Sanctus by Maurice Duruflé, Okka von der Damerau, Ljubomir Puškarić, Uladzimir Sinkevich, Bavarian Radio Chorus, Munich Radio Orchestra, Max Hanft, Ivan RepušićRequiem, Op. 9: SanctusMaurice Duruflé, Okka von der Damerau, Ljubomir Puškarić, Uladzimir Sinkevich, Bavarian Radio Chorus, Munich Radio Orchestra, Max Hanft, Ivan RepušićG Minor16A145 BPM
Warum ist das Licht gegeben dem Mühseligen? Op. 74 No. 1: II. Lasset uns. Wenig bewegter by Johannes Brahms, Cappella Amsterdam, Daniel ReussWarum ist das Licht gegeben dem Mühseligen? Op. 74 No. 1: II. Lasset uns. Wenig bewegterJohannes Brahms, Cappella Amsterdam, Daniel ReussD♭ Major23B176 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.6463115215301514

End: 0.6508684158325195