Die Schöpfung HobXXI/2, PART 2: Und die Engel rührten ihr'unsterblichen Harfen: Rezitativ (Raphael) - Sir Neville Marriner, Hans Peter Blochwitz, Radio-Sinfonieorchester Stuttgart, Südfunk-Chor, Jan-Hendrik Rootering, Barbara Bonney Information

Acousticness: 97%
Danceability: 29%
Energy: 4%
Instrumentalness: 12%
Liveness: 30%
Loudness: 50%
Speechiness: 5%
Valence: 38%
Popularity: 0%
Loudness: -29.864 dB

Summary

Sir Neville Marriner, Hans Peter Blochwitz, Radio-Sinfonieorchester Stuttgart, Südfunk-Chor, Jan-Hendrik Rootering, Barbara Bonney's 'Die Schöpfung HobXXI/2, PART 2: Und die Engel rührten ihr'unsterblichen Harfen: Rezitativ (Raphael)' came out on 1990. With Die Schöpfung HobXXI/2, PART 2: Und die Engel rührten ihr'unsterblichen Harfen: Rezitativ (Raphael) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Sir Neville Marriner's "Haydn: Die Schoepfung" album is number 18 out of 35. The popularity of Die Schöpfung HobXXI/2, PART 2: Und die Engel rührten ihr'unsterblichen Harfen: Rezitativ (Raphael) is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Die Schöpfung HobXXI/2, PART 2: Und die Engel rührten ihr'unsterblichen Harfen: Rezitativ (Raphael) BPM

We consider the tempo marking of Die Schöpfung HobXXI/2, PART 2: Und die Engel rührten ihr'unsterblichen Harfen: Rezitativ (Raphael) by Sir Neville Marriner, Hans Peter Blochwitz, Radio-Sinfonieorchester Stuttgart, Südfunk-Chor, Jan-Hendrik Rootering, Barbara Bonney to be Vivace (lively and fast) because the track has a tempo of 160 BPM, a half-time of 80BPM, and a double-time of 320 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 4/4.

Die Schöpfung HobXXI/2, PART 2: Und die Engel rührten ihr'unsterblichen Harfen: Rezitativ (Raphael) Key

This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Sinfonia in D Major, "La Veneziana": II. Andantino grazioso	Antonio Salieri, Chopin Chamber Orchestra, Winston Dan Vogel	G Major	0	9B	78 BPM
Bach: Keyboard Concerto No. 5 in F Minor, BWV 1056: II. Largo	Johann Sebastian Bach, Sir Neville Marriner, Academy of St. Martin in the Fields	A♭ Major	0	4B	113 BPM
Concerto No. 21 in C Major for Piano and Orchestra, K. 467: II. Andante	Finghin Collins	F Major	1	7B	177 BPM
Grieg: Peer Gynt, Op. 23, Act 3: The Death of Åse	Edvard Grieg, Lucia Popp, Academy of St. Martin in the Fields, Sir Neville Marriner	G Major	0	9B	87 BPM
Songs My Mother Taught Me (from "Gypsy Songs", Op. 55, No. 4)	Antonín Dvořák, Yo-Yo Ma, Kathryn Stott	B Minor	0	10A	92 BPM
Concerto Grosso In D Major, Op. 6, No. 1 : III. Largo	Arcangelo Corelli, Daniela Ruso, Anna Holbling, Ludovit Kanta, Quido Holbling, Capella Istropolitana	D Major	1	10B	78 BPM
Waltz in C-sharp minor, Op. 64 No. 2	Frédéric Chopin, Khatia Buniatishvili	D♭ Minor	0	12A	96 BPM
Coppelia: Act I - Valse	Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia	E♭ Major	0	5B	89 BPM
Poeme, Op. 41, No. 6	Fibich, Grand Philharmonia Orchestra	C Major	1	8B	135 BPM
Peer Gynt Suite No.1 op. 46 Morning (Allegro pastorale)	Academy of St. Martin in the Fields	E Major	0	12B	68 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.695164680480957

End: 0.7002019882202148