- BPM
- 130
- Key
- B Major
- Camelot
- 1B
Evening Service No. 1 in E-Flat Major: I. Magnificat - Charles Wood, York Minster Choir, John Scott Whiteley, Philip Moore Information
- Acousticness
- 99%
- Danceability
- 36%
- Energy
- 4%
- Instrumentalness
- 91%
- Liveness
- 9%
- Loudness
- 52%
- Speechiness
- 4%
- Valence
- 6%
- Popularity
- 0%
- Loudness
- -28.694 dB
Summary
"Evening Service No. 1 in E-Flat Major: I. Magnificat" by Charles Wood, York Minster Choir, John Scott Whiteley, Philip Moore had its release date on August 11, 1996. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in York Minster Choir, John Scott Whiteley, Philip Moore's "Magnificat & Nunc dimittis, Vol. 9" album is number 1 out of 20. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Evening Service No. 1 in E-Flat Major: I. Magnificat's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Evening Service No. 1 in E-Flat Major: I. Magnificat BPM
We consider the tempo marking of Evening Service No. 1 in E-Flat Major: I. Magnificat by Charles Wood, York Minster Choir, John Scott Whiteley, Philip Moore to be Allegro (fast, quick, and bright) because the track has a tempo of 130 BPM, a half-time of 65BPM, and a double-time of 260 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
Evening Service No. 1 in E-Flat Major: I. Magnificat Key
B Major is the music key of this track. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Our Father | Alexander Gretchaninoff, The Wartburg Choir, Dr. Lee Nelson | E Major | 1 | 12B | 83 BPM | |
 | Liturgical Chants: 4 Spiritual Songs: Alleluia | Valentin Silvestrov, Ieva Ezeriete, Karlis Rutentals, Dace Strautmane, Latvian Radio Choir, Sigvards Kļava | G Major | 0 | 9B | 128 BPM | |
 | Open to Me the Gates of Righteousness | Daniel Pinkham, Elizabeth C. Patterson, James Jordan, Gloriae Dei Cantores | D Major | 1 | 10B | 123 BPM | |
 | Messe brève No. 7: IV. O Salutaris Hostia | Charles Gounod, Tobias Gotting, Kammerchor I Vocalisti, Hans-Joachim Lustig | D♭ Major | 2 | 3B | 97 BPM | |
 | God Is Our Refuge | Wolfgang Amadeus Mozart | G Minor | 0 | 6A | 76 BPM | |
 | 7 Partsongs, Op. 17: No. 3, My Spirit Sang All Day | Gerald Finzi, The Graduate Choir, nz, Terence Maskell | G Minor | 2 | 6A | 71 BPM | |
 | The Passing of the Year: No. 3. Answer July | Jonathan Dove, Convivium Singers, Christopher Cromar, Neil Ferris | C Major | 1 | 8B | 102 BPM | |
 | Surrexit Christus hodie | Samuel Scheidt, Vox Luminis, Lionel Meunier | G Minor | 1 | 6A | 79 BPM | |
 | Oculi Omnium | Charles Wood, Monks And Choirboys Of Downside Abbey, David Lawson, Dom Dunstan O'Keeffe | E Major | 1 | 12B | 95 BPM | |
 | When to the Temple Mary Went | Johannes Eccard, Christ Church Cathedral Choir, Stephen Farr, Stephen Darlington | D Minor | 0 | 7A | 78 BPM |
- ISRC
- GBXUX0855201
- Label
- L-M Records/RCA Records