"Open to Me the Gates of Righteousness" by Daniel Pinkham, Elizabeth C. Patterson, James Jordan, Gloriae Dei Cantores was released on May 12, 1998. With Open to Me the Gates of Righteousness being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Gloriae Dei Cantores, Elizabeth C. Patterson, James Jordan's "Make His Praise Glorious - American Psalmody, Vol. 1" album is number 10 out of 15. On top of that, United States appears to be the country where this track was created. Based on our statistics, Open to Me the Gates of Righteousness's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Open to Me the Gates of Righteousness by Daniel Pinkham, Elizabeth C. Patterson, James Jordan, Gloriae Dei Cantores to be Allegro (fast, quick, and bright) because the track has a tempo of 123 BPM, a half-time of 62BPM, and a double-time of 246 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 5/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Feast of the Nativity of Mary: Hymn. O gloriósa Dómina | Gloriae Dei Cantores, Unknown Artist, Elizabeth C. Patterson | A Minor | 2 | 8A | 70 BPM | ||
St. Francis Evening Prayer (Lucernarium): Opening Dialogue | Michael Joncas, The Cathedral Singers | E♭ Major | 1 | 5B | 73 BPM | ||
In the Lord | Rejike | D Major | 0 | 10B | 74 BPM | ||
Ave, maris stella (version for choir) | Edvard Grieg, Sundsvalls Kammarkör, Kjell Lönnå | G Major | 1 | 9B | 170 BPM | ||
Life of Christ, Renew Me | Margaret Rizza, Kevin Mayhew Ltd | A Major | 1 | 11B | 89 BPM | ||
Nien, Geliebter, Setze Dich | Georg Friedrich Daumer, Johannes Brahms, One Voice Mixed Chorus, Jane Ramseyer Miller | E Major | 0 | 12B | 86 BPM | ||
L’cha Adonai | The Shaar Hashomayim Synagogue Choir | A♭ Minor | 2 | 1A | 80 BPM | ||
Dypt heller året | Paul Hellmuth, Carl Nielsen, Caspar Johannes Boye, Uranienborg Vokalensemble, Elisabeth Holte | A♭ Major | 0 | 4B | 87 BPM | ||
My Flight for Heaven | Blake R. Henson, Anam Cara, James Jordan | D♭ Major | 0 | 3B | 70 BPM | ||
I Want to Thank You, Lord | The Acclamation Chorale | D♭ Major | 1 | 3B | 131 BPM |
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