"Jesus' Blood Never Failed Me Yet" by Gavin Bryars was released on November 20, 2015. Jesus' Blood Never Failed Me Yet appears to be safe for all ages as it is not explicit. The song is number 1 out of 2 in Bryars: Jesus' Blood Never Failed Me Yet by Gavin Bryars. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Jesus' Blood Never Failed Me Yet is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Jesus' Blood Never Failed Me Yet by Gavin Bryars is Andante (at a walking pace), since this song has a tempo of 78 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonatas and Interludes for Prepared Piano: Sonata No. 1 | John Cage, Boris Berman | D Minor | 0 | 7A | 126 BPM | ||
Märchentänze (Orchestral Version): III. A Skylark for Jane | Thomas Adès, Pekka Kuusisto, Finnish Radio Symphony Orchestra, Nicholas Collon | A Minor | 1 | 8A | 120 BPM | ||
Move | Nico Muhly, Timo Andres | D Major | 2 | 10B | 89 BPM | ||
A Worcester Ladymass: Benedicamus Domino | Gavin Bryars, Trio Mediæval | G Minor | 1 | 6A | 148 BPM | ||
Tail Graber | DJ Raspberry V | A♭ Major | 4 | 4B | 144 BPM | ||
Musica ricercata: No. 7, Cantabile, molto legato | György Ligeti, Pierre-Laurent Aimard | B♭ Major | 0 | 6B | 110 BPM | ||
The Last Days (for 2 violins): 1. The Venetian Beginning | Gavin Bryars, Balanescu Quartet | B♭ Minor | 0 | 3A | 85 BPM | ||
Officium breve in memoriam Andreae Szervánszky, Op. 28: 15. Arioso interrotto (di Endre Szervánszky) Larghetto | György Kurtág, Parker Quartet | C Major | 0 | 8B | 176 BPM | ||
For Bunita Marcus: Mm. 1270-1372 | Morton Feldman, Aki Takahashi | D Major | 0 | 10B | 63 BPM | ||
Pompeii 76 A.D. | Gail Laughton | A♭ Minor | 0 | 1A | 131 BPM |
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