"The Last Days (for 2 violins): 1. The Venetian Beginning" by Gavin Bryars, Balanescu Quartet was released on January 1, 1995. The Last Days (for 2 violins): 1. The Venetian Beginning is about six minutes long, preciously at 5:42, making this song fairly long compared to other songs. The song is number 3 out of 7 in Bryars: The Last Days/String Quartets Nos. 1 & 2 by Gavin Bryars, Balanescu Quartet. The Last Days (for 2 violins): 1. The Venetian Beginning is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of The Last Days (for 2 violins): 1. The Venetian Beginning by Gavin Bryars, Balanescu Quartet is Andante (at a walking pace), since this song has a tempo of 85 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 1/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Prelude to the Afternoon of a Faun | Isao Tomita | E Major | 1 | 12B | 72 BPM | ||
Something Wild in the City: Mary Ann's Theme (1960) for horn, celesta, and string Quartet | Morton Feldman, Ensemble Recherche | A Major | 0 | 11B | 94 BPM | ||
The Revd Mustard his Installation Prelude | Nico Muhly, James McVinnie | D Major | 1 | 10B | 108 BPM | ||
Faith over Fear | Marc Ezenge | F Minor | 1 | 4A | 149 BPM | ||
Piano & Violoncello 3 | Irena And Vojtech Havlovi | G Minor | 1 | 6A | 88 BPM | ||
Introduction and Overtone Continuum | Louis Hardin, Moondog | A Minor | 0 | 8A | 68 BPM | ||
I lie | David Lang, Ars Nova Copenhagen, Paul Hillier | D♭ Major | 0 | 3B | 143 BPM | ||
Suite No. 5 in C Minor: V. Air (Arr. for Theremin & Piano) | Johann Mattheson, Clara Rockmore, Nadia Reisenberg | E Minor | 0 | 9A | 90 BPM | ||
Duet for two Solo Violins and String Orchestra (Dedicated to and written for Yehudi Menuhin) | Steve Reich, Kristjan Järvi | F Major | 3 | 7B | 124 BPM | ||
Love In The Afternoon | Balanescu Quartet | F Major | 2 | 7B | 173 BPM |
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