Ludwig Minkus, English Chamber Orchestra, Richard Bonynge made "La Bayadère / Act 1: No.21 Allegretto" available on January 1, 1994. The duration of La Bayadère / Act 1: No.21 Allegretto is about 3 minutes long, at 3:22. Based on our data, "La Bayadère / Act 1: No.21 Allegretto" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Ludwig Minkus, English Chamber Orchestra, Richard Bonynge's "Minkus-Lanchbery: La Bayadère" album is number 19 out of 42. Based on our statistics, La Bayadère / Act 1: No.21 Allegretto's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of La Bayadère / Act 1: No.21 Allegretto by Ludwig Minkus, English Chamber Orchestra, Richard Bonynge to be Allegro (fast, quick, and bright) because the track has a tempo of 147 BPM, a half-time of 74BPM, and a double-time of 294 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le Corsaire : Act I, No.9 Merchant Variation | Orchestra of Ekaterinburg State Academic Opera and Ballet Theatre of Russia, Evgeny Brazhnik | D Major | 2 | 10B | 165 BPM | ||
The Sleeping Beauty, Op. 66, Act II: XVII. Panorama (Andantino) | Pyotr Ilyich Tchaikovsky, National Philharmonic Orchestra, Richard Bonynge | G Major | 1 | 9B | 74 BPM | ||
Don Quixote: Act II: Quiteria's Variation as Dulcinea | Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov | E♭ Major | 0 | 5B | 103 BPM | ||
La Bayadere: Variation 1: Andante | Ludwig Minkus, Anna Takova-Baynova, Valentina Raicheva, Sofia National Opera Orchestra, Boris Spassov | A Major | 1 | 11B | 130 BPM | ||
La fille mal gardée / Act 1: 1. Intro 2. Dance 3. Lise And The Ribbon | Ferdinand Hérold, Orchestra of the Royal Opera House, Covent Garden, John Lanchbery | D Major | 1 | 10B | 126 BPM | ||
Giselle: Peasant pas de deux (arr. March): Act I: Alegretto: Second Men's Variation | Franz Burgmüller, March, Sofia National Opera Orchestra, Boris Spassov | B Major | 1 | 1B | 88 BPM | ||
Mozart: Concerto for Flute and Harp in C Major, K. 299/297c: II. Andantino | Wolfgang Amadeus Mozart, Yehudi Menuhin, English Chamber Orchestra | F Major | 1 | 7B | 101 BPM | ||
Jazz Suite No. 2: V. Little Polka | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | D Major | 3 | 10B | 79 BPM | ||
Concerto No. 4 in A Major, BWV 1055: I. Allegro | Johann Sebastian Bach, Sonya Bach, English Chamber Orchestra | A Major | 3 | 11B | 109 BPM | ||
La Sylphide: Act II: Sylph Scene: Divertissement | Herman Severin Løvenskiold, Kim Sjøgren, Royal Danish Orchestra, David Garforth | D Major | 0 | 10B | 78 BPM |
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