"Beethoven: Sonata for Piano and Violin No. 7 in C Minor, Op. 30, No. 2: II. Adagio cantabile" by Ludwig van Beethoven, Midori, Jean-Yves Thibaudet was released on November 9, 2022. Beethoven: Sonata for Piano and Violin No. 7 in C Minor, Op. 30, No. 2: II. Adagio cantabile appears to be safe for all ages as it is not explicit. The song is number 31 out of 47 in Beethoven Sonatas for Piano and Violin by Ludwig van Beethoven, Midori, Jean-Yves Thibaudet, Orchestre de Paris. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Beethoven: Sonata for Piano and Violin No. 7 in C Minor, Op. 30, No. 2: II. Adagio cantabile's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Beethoven: Sonata for Piano and Violin No. 7 in C Minor, Op. 30, No. 2: II. Adagio cantabile by Ludwig van Beethoven, Midori, Jean-Yves Thibaudet is Allegro (fast, quick, and bright), since this song has a tempo of 136 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Valse Sentimentale, Op. 51, No. 6 (Arr. for Cello and Piano) | Pyotr Ilyich Tchaikovsky, Yo-Yo Ma, Kathryn Stott | A Minor | 0 | 8A | 73 BPM | ||
Tchaikovsky: Swan Lake, Op. 20, Act I: Introduction - No. 1, Scene. Allegro giusto | Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra | D Major | 3 | 10B | 75 BPM | ||
Bagatelle No. 25 in A Minor, "Für Elise", WoO 59 | Lang Lang | A Minor | 0 | 8A | 133 BPM | ||
Concerto for Violin, Cello & Piano in C Major, Op. 56 "Triple Concerto": II. Largo | Ludwig van Beethoven, Jenő Jandó, Dong-Suk Kang, Maria Kliegel, Nicolaus Esterhazy Sinfonia, Béla Drahos | C Major | 0 | 8B | 103 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Arabella Steinbacher, Orquestra Gulbenkian, Lawrence Foster | E♭ Major | 0 | 5B | 100 BPM | ||
Suite bergamasque, L. 75: III. Clair de lune | Claude Debussy, Alice Sara Ott | D♭ Major | 0 | 3B | 69 BPM | ||
13 Pieces, Op. 76: No. 2. Etude | Jean Sibelius, Olli Mustonen | G Major | 1 | 9B | 92 BPM | ||
Keyboard Sonata in D Minor, Kk. 1 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 1 | 7A | 107 BPM | ||
Csardas | Vittorio Monti, Robert Koenig, Si-Qing Lu | D Major | 1 | 10B | 175 BPM | ||
A Midsummer Night's Dream, Op. 61: Scherzo (Transcr. by Sergueï Rachmaninov) | Felix Mendelssohn, Bertrand Chamayou | C Minor | 2 | 5A | 129 BPM |
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