"Concerto for Violin, Cello & Piano in C Major, Op. 56 "Triple Concerto": II. Largo" by Ludwig van Beethoven, Jenő Jandó, Dong-Suk Kang, Maria Kliegel, Nicolaus Esterhazy Sinfonia, Béla Drahos was released on January 1, 2005. With this song being around four minutes long, at 3:56, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 5 out of 12 in Beethoven for Meditation by Ludwig van Beethoven, Various Artists, Kenneth Jean, Béla Drahos. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. In terms of popularity, Concerto for Violin, Cello & Piano in C Major, Op. 56 "Triple Concerto": II. Largo is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Concerto for Violin, Cello & Piano in C Major, Op. 56 "Triple Concerto": II. Largo by Ludwig van Beethoven, Jenő Jandó, Dong-Suk Kang, Maria Kliegel, Nicolaus Esterhazy Sinfonia, Béla Drahos is Andante (at a walking pace), since this song has a tempo of 103 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Schwanengesang, S. 560: VII. Ständchen (2nd Version, After Schubert D. 957/4) | Franz Liszt, Angela Hewitt | A Major | 2 | 11B | 143 BPM | ||
Keyboard Sonata in A Major, Wq. 54/6, H. 207: I. Allegro di molto | Carl Philipp Emanuel Bach, Ana-Marija Markovina | A Major | 1 | 11B | 0 BPM | ||
Violin Concerto in D Major, Op. 61: II. Larghetto | Ludwig van Beethoven, Charlie Siem, Philharmonia Orchestra, Oleg Caetani | B♭ Major | 4 | 6B | 138 BPM | ||
Aleko: Intermezzo | Sergei Rachmaninoff, Berliner Philharmoniker, Lorin Maazel | B♭ Major | 0 | 6B | 90 BPM | ||
Sonata No. 6 in G Minor, Op. 13, RV 58, "Il pastor fido": III. Largo | Antonio Vivaldi, Béla Drahos, Pál Kelemen, Zsuzsa Pertis | G Minor | 1 | 6A | 88 BPM | ||
Schubert: 4 Impromptus, Op. 90, D. 899: No. 3 in G-Flat Major | Franz Schubert, Rudolf Buchbinder | G Major | 0 | 9B | 135 BPM | ||
Nonet in E-Flat Major, Op. 38: III. Scherzo. Vivace | Louise Farrenc, Consortium Classicum | C Major | 0 | 8B | 79 BPM | ||
Vocalise, Op. 34, No. 14 - Version For Cello And Piano | Sergei Rachmaninoff, Mischa Maisky, Pavel Gililov | E Minor | 8 | 9A | 128 BPM | ||
Piano Sonata No. 12 in F Major, K. 332: II. Adagio | Wolfgang Amadeus Mozart, Jenő Jandó | B♭ Major | 0 | 6B | 78 BPM | ||
Piano Concerto No.2 in G Major, Op. 44: III. Allegro con fuoco | Vladimir Ashkenazy, Sydney Symphony Orchestra, Garrick Ohlsson | F Minor | 0 | 4A | 114 BPM |
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