Carl Orff, Kevin McMillan, San Francisco Symphony, Herbert Blomstedt's 'Carmina Burana - 1. Primo vere: "Omnia Sol temperat"' came out on January 1, 1991. The duration of Carmina Burana - 1. Primo vere: "Omnia Sol temperat" is about two minutes long, specifically at 2:03. This song does not appear to have any foul language. Carmina Burana - 1. Primo vere: "Omnia Sol temperat"'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 25 in the song's album "Orff: Carmina Burana". In this album, this song's track order is #4. The popularity of Carmina Burana - 1. Primo vere: "Omnia Sol temperat" is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Carmina Burana - 1. Primo vere: "Omnia Sol temperat" by Carl Orff, Kevin McMillan, San Francisco Symphony, Herbert Blomstedt having a BPM of 171 with a half-time of 86 BPM and a double-time of 342 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sarabande from Suite No. 11 for Harpsichord | George Frideric Handel, Richard Kapp, Philharmonia Virtuosi of New York | D Minor | 1 | 7A | 74 BPM | ||
Zadok The Priest (Coronation Anthem for George II ed. Basil Lam) - 1994 Remaster | George Frideric Handel, Ambrosian Singers, Menuhin Festival Orchestra, Yehudi Menuhin | D Major | 2 | 10B | 88 BPM | ||
Leise flehen meine Lieder, D. 957 | Slovak Philharmonic, Bohdan Warchal | D Major | 1 | 10B | 123 BPM | ||
Handel: Water Music, Suite No. 2 in D Major, HWV 349: II. Alla Hornpipe | George Frideric Handel, Sir Neville Marriner, Academy of St. Martin in the Fields | D Major | 2 | 10B | 115 BPM | ||
La Traviata / Act 1: Libiamo ne'lieti calici | Giuseppe Verdi, Ileana Cotrubas, Plácido Domingo, Chor der Bayerischen Staatsoper München, Bavarian State Orchestra, Carlos Kleiber | B♭ Major | 2 | 6B | 113 BPM | ||
Peer Gynt, Op.23 - Incidental Music: No.8. In the Hall of the Mountain King | Edvard Grieg, Margaret Lisi, San Francisco Symphony Chorus, Kaare Myksvoll, Maria Meyer, Kristina Rapp, Gregory Nybo, David Hess, San Francisco Symphony, Herbert Blomstedt | G Major | 1 | 9B | 116 BPM | ||
Samson et Dalila, Op. 47, R. 288: Bacchanale | Camille Saint-Saëns, Lorin Maazel, Pittsburgh Symphony Orchestra | A Minor | 1 | 8A | 122 BPM | ||
Danse macabre, Op. 40 | Camille Saint-Saëns, Royal Stockholm Philharmonic Orchestra, James DePreist | G Minor | 1 | 6A | 102 BPM | ||
Carmina Burana: Ave formosissima | Carl Orff, Cleveland Orchestra, Michael Tilson Thomas | E Minor | 2 | 9A | 89 BPM | ||
Toccata & Fugue in D Minor, BWV 565 | Johann Sebastian Bach, Boston Symphony Orchestra, Seiji Ozawa | D Minor | 2 | 7A | 93 BPM |
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