"Gottes Zeit ist die allerbeste Zeit, BWV 106 "Trauerkantate": No. 1, Sonatina" by Johann Sebastian Bach, Gewandhausorchester, Hans-Joachim Rotzsch was released on 1965. The duration of Gottes Zeit ist die allerbeste Zeit, BWV 106 "Trauerkantate": No. 1, Sonatina is about two minutes long, specifically at 2:32. This song does not appear to have any foul language. Gottes Zeit ist die allerbeste Zeit, BWV 106 "Trauerkantate": No. 1, Sonatina's duration is considered a little bit shorter than the average duration of a typical track. The song is number 55 out of 204 in Bach: Thomanerchor Leipzig (Legendary recordings) by Johann Sebastian Bach, Thomanerchor Leipzig, Günther Ramin, Kurt Thomas, Erhard Mauersberger, Hans-Joachim Rotzsch, Gewandhausorchester Leipzig, New Bach Collegium Musicum Leipzig. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Gottes Zeit ist die allerbeste Zeit, BWV 106 "Trauerkantate": No. 1, Sonatina's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Gottes Zeit ist die allerbeste Zeit, BWV 106 "Trauerkantate": No. 1, Sonatina by Johann Sebastian Bach, Gewandhausorchester, Hans-Joachim Rotzsch is Allegro (fast, quick, and bright), since this song has a tempo of 144 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto Grosso In D Major, Op. 6, No. 1 : IV. Allegro | Arcangelo Corelli, Anna Holbling, Daniela Ruso, Quido Holbling, Ludovit Kanta, Capella Istropolitana | D Major | 3 | 10B | 129 BPM | ||
16 Waltzes, Op. 39: 15. Waltz in A Flat | Johannes Brahms, Nelson Freire | A♭ Major | 0 | 4B | 72 BPM | ||
Schumann: Davidsbündlertänze, Op. 6, Heft II: No. 14, Zart und singend | Robert Schumann, Jonathan Biss | E♭ Major | 0 | 5B | 135 BPM | ||
Kleine Präludien: No.3 in D Minor, BWV 926 | Inge Rosar | D Minor | 1 | 7A | 83 BPM | ||
Prelude In D Minor, BWV 926 : Prelude In D Minor, BWV 926 | Janos Sebestyen, Johann Sebastian Bach | G Minor | 2 | 6A | 126 BPM | ||
Schwanengesang, S. 560: Schubert - Schwanengesang, S. 560/R. 245: No. 7, Standchen (Leise flehen meine Lieder) [After F. Schubert] | Franz Liszt, Oxana Yablonskaya | D Major | 0 | 10B | 66 BPM | ||
Concerto Grosso in D Major, Op. 6 No. 4: II. Allegro | Arcangelo Corelli, Jordi Savall, Le Concert Des Nations | D♭ Major | 3 | 3B | 133 BPM | ||
Pièces de Clavecin, Livre II, 6e ordre: V. Les Baricades Mistérieuses | François Couperin, Alexandre Tharaud | B♭ Major | 1 | 6B | 111 BPM | ||
Concerto In F Major, F Dur BWV978, After Antonio Vivaldi: (Allegro) | Arts Music Recording, Rotterdam, Pieter Dirksen, Johann Sebastian Bach | E Minor | 1 | 9A | 81 BPM | ||
Concerto No. 4 in G major, BWV 1049: I. Allegro | Johann Sebastian Bach, Freiburger Barockorchester | F Major | 2 | 7B | 99 BPM |
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