"Tam O'Shanter, Op. 51 (Arr. J. Paynter)" by Malcolm Arnold, Dallas Wind Symphony, Jerry Junkin was released on March 1, 2012. Since Tam O'Shanter, Op. 51 (Arr. J. Paynter) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 9 out of 22 in Arnold for Band by Malcolm Arnold, Dallas Wind Symphony, Jerry Junkin. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Tam O'Shanter, Op. 51 (Arr. J. Paynter) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Tam O'Shanter, Op. 51 (Arr. J. Paynter) by Malcolm Arnold, Dallas Wind Symphony, Jerry Junkin is Larghetto (rather broadly), since this song has a tempo of 62 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Serenade in C Major, Op. 48: I. Pezzo in forma di Sonatina | Pyotr Ilyich Tchaikovsky, Vienna Chamber Orchestra, Philippe Entremont | C Major | 3 | 8B | 112 BPM | ||
Molly on the Shore, BFMS 23 (Version for Wind Ensemble) | Percy Grainger, Royal Norwegian Navy Band, Bjarte Engeset | D♭ Major | 3 | 3B | 110 BPM | ||
Brook Green Suite: I. Prelude | Gustav Holst, English Sinfonia, Howard Griffiths | F Major | 2 | 7B | 123 BPM | ||
Divertimento: II. Waltz: Allegretto, con grazia | Leonard Bernstein, Bournemouth Symphony Orchestra, Marin Alsop | D♭ Major | 1 | 3B | 106 BPM | ||
Rodeo: No. 1, Buckaroo Holiday | Aaron Copland, Colorado Symphony, Andrew Litton | F Major | 2 | 7B | 131 BPM | ||
Grand Canyon Suite: 5. Cloudburst | Ferde Grofé, Detroit Symphony Orchestra, Antal Doráti | E Major | 3 | 12B | 61 BPM | ||
Colonial Song (version for wind ensemble) | Percy Grainger, Dallas Wind Symphony, Jerry Junkin | E♭ Major | 1 | 5B | 84 BPM | ||
Pines Of Rome, P. 141: 3. The Pines Of The Janiculum | Ottorino Respighi, Berliner Philharmoniker, Herbert von Karajan | E Major | 0 | 12B | 84 BPM | ||
Danzas fantasticas, Op. 22: Ensueno | Joaquín Turina, Orquesta Sinfónica de Castilla y León, Max Darman Bragado | G Major | 0 | 9B | 82 BPM | ||
2 Aquarelles: Gaily, but not quick | Frederick Delius, Royal Northern Sinfonia, David Lloyd-Jones | D Major | 1 | 10B | 76 BPM |
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