"Beethoven: 12 Contredanses, WoO 14: No. 5 in E-Flat Major" by Ludwig van Beethoven, Sir Neville Marriner, Academy of St. Martin in the Fields was released on May 17, 2024. With Beethoven: 12 Contredanses, WoO 14: No. 5 in E-Flat Major being less than two minutes long, at 1:13, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 24 in the song's album "The Academy in Concert. Albinoni: Adagio - Pachelbel: Canon - Bach: Air & Music By Beethoven, Handel, Mendelssohn, Mozart". In this album, this song's track order is #11. Furthermore, we believe that the track originated from United Kingdom. The popularity of Beethoven: 12 Contredanses, WoO 14: No. 5 in E-Flat Major is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Beethoven: 12 Contredanses, WoO 14: No. 5 in E-Flat Major by Ludwig van Beethoven, Sir Neville Marriner, Academy of St. Martin in the Fields having a BPM of 169 with a half-time of 84 BPM and a double-time of 338 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 5/4.
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Serenade in A Major, Op. 23, No. 1, G. 145: IV. Allegretto | Giovanni Battista Viotti, Mario Carbotta, Carlo Balzaretti | D Major | 2 | 10B | 73 BPM | ||
Mozart Piano Sonata No 16 Allegro | Jean Luc Joher | E Minor | 1 | 9A | 103 BPM | ||
Quartetto "Gli amanti rivali" in C Major: V. La disperazione delle donne amanti. Allegro | Carlo Monza, Europa Galante, Fabio Biondi, Andrea Rognoni, Stefano Marcocchi, Alessandro Andriani | D Major | 0 | 10B | 119 BPM | ||
Minuet and Trio from Sonata in D Hob XVI 4 | HAYDN, Lin Shumei, FluteAndMusic | G Major | 0 | 9B | 77 BPM | ||
Symphony in A Major, Brown A4: III. Allegro | Karl von Ordóñez, Toronto Chamber Orchestra, Kevin Mallon | F Major | 0 | 7B | 80 BPM | ||
Keyboard Sonata in A Major, Op. 1 No. 5: II. Tempo di minuetto. Grazioso | Muzio Clementi, HyeJin Kim | F Major | 1 | 7B | 112 BPM | ||
Symphony No. 53 in D Major "L'Imperiale": IV. Finale. Capriccio: Presto | Joseph Haydn, Alberto Lizzio, Musici di San Marco | B Minor | 0 | 10A | 92 BPM | ||
Serenade No. 7 KV250 in DMajor "Haffner": Menuetto | Academy of St. Martin in the Fields, Iona Brown | G Major | 0 | 9B | 76 BPM | ||
Sonata for Piano and Violin No. 3 in G Minor, Op. Posth. 137, D. 408: III. Menuetto allegro vivace - Trio | Franz Schubert, David Grimal, Valery Afanassiev | B♭ Major | 1 | 6B | 84 BPM | ||
Divertimento No. 1, Op. 20: IV. Verbunkos | Leó Weiner, Budapest Strings, Karoly Botvay | C Major | 0 | 8B | 107 BPM |
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