"Symphony No. 53 in D Major "L'Imperiale": IV. Finale. Capriccio: Presto" by Joseph Haydn, Alberto Lizzio, Musici di San Marco was released on January 1, 2009. With this song being about 5 minutes long, at 5:03, "Symphony No. 53 in D Major "L'Imperiale": IV. Finale. Capriccio: Presto" by Joseph Haydn, Alberto Lizzio, Musici di San Marco is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Joseph Haydn, Various Artists's "Haydn: Symphony Nos. 48 "Maria Theresia", 49 "La passione", 50 & 53 "L'Imperiale"" album is number 16 out of 16. On top of that, United States appears to be the country where this track was created. In terms of popularity, Symphony No. 53 in D Major "L'Imperiale": IV. Finale. Capriccio: Presto is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Symphony No. 53 in D Major "L'Imperiale": IV. Finale. Capriccio: Presto by Joseph Haydn, Alberto Lizzio, Musici di San Marco to be Andante (at a walking pace) because the track has a tempo of 92 BPM, a half-time of 46BPM, and a double-time of 184 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
6 Violin Sonatas, Op. 10b No. 3 in D Minor, J. 101: II. Rondo: Presto | Carl Maria von Weber, Nino Gvetadze, Frederieke Saeijs | A Major | 1 | 11B | 138 BPM | ||
Recollections of Paganini, WoO 8, S190: IV. Campanella | Johann Nepomuk Hummel, Madoka Inui | A Minor | 1 | 8A | 138 BPM | ||
Overture in D Major, P. 228: II. Andantino | Franz Danzi, Munich Chamber Orchestra, Howard Griffiths | F Major | 0 | 7B | 131 BPM | ||
Concerto for three violins BWV 1064R in D Major: Concerto for three violins BWV 1064R in D Major: I. | Johann Sebastian Bach, Freiburger Barockorchester, Gottfried Von Der Goltz, Anne-Katharina Schreiber, Petra Mullejans | D♭ Major | 3 | 3B | 96 BPM | ||
Kinderszenen, Op.15: 12. Kind im Einschlummern | Robert Schumann, Martha Argerich | E Minor | 0 | 9A | 123 BPM | ||
Notebook for Anna Magdalena Bach (1725) [Excerpts]: No. 18, Marche in G Major, H. 1 No. 3 [Attrib. J.S. Bach's BWV Anh. 124] | Carl Philipp Emanuel Bach, Giovanni Mazzocchin | E♭ Major | 1 | 5B | 113 BPM | ||
Der Fischer und das Milchmädchen: IXb. Andantino pastorale | Giacomo Meyerbeer, Czech Philharmonic Chamber Orchestra, Dario Salvi | D Major | 1 | 10B | 77 BPM | ||
Miniatures, Op. 75a, B. 149: No. 1 in B-Flat Major, Cavatina. Moderato | Antonín Dvořák, Josef Suk, Miroslav Ambroš, Karel Untermüller | D Major | 3 | 10B | 85 BPM | ||
Gavotte (Paride ed Elena) | Christoph Willibald Gluck, Johannes Brahms, Matti Raekallio | A Major | 0 | 11B | 98 BPM | ||
Haydn : Stabat Mater Hob.XXbis : VIII Sancta Mater, istud agas [Soprano, Tenor] | Franz Joseph Haydn, Nikolaus Harnoncourt, Concentus Musicus Wien | F Major | 1 | 7B | 120 BPM |
Section: 0.8070909976959229
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