"Haydn : Stabat Mater Hob.XXbis : VIII Sancta Mater, istud agas [Soprano, Tenor]" by Franz Joseph Haydn, Nikolaus Harnoncourt, Concentus Musicus Wien was released on 2000. Haydn : Stabat Mater Hob.XXbis : VIII Sancta Mater, istud agas [Soprano, Tenor] is about six minutes long, preciously at 6:29, making this song fairly long compared to other songs. The track order of this song in Nikolaus Harnoncourt, Concentus Musicus Wien's "Haydn Edition Volume 5 - Masses, Stabat Mater, Seven Last Words" album is number 42 out of 69. Based on our statistics, Haydn : Stabat Mater Hob.XXbis : VIII Sancta Mater, istud agas [Soprano, Tenor]'s popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Haydn : Stabat Mater Hob.XXbis : VIII Sancta Mater, istud agas [Soprano, Tenor] by Franz Joseph Haydn, Nikolaus Harnoncourt, Concentus Musicus Wien to be Moderato (at a moderate speed) because the track has a tempo of 120 BPM, a half-time of 60BPM, and a double-time of 240 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto for Cello, Strings and Clavichord in G Major: Concerto for Cello, Strings and Clavichord in G Major: II. Adagio | Georg Matthias Monn, Freiburger Barockorchester, Jean-Guihen Queyras, Petra Mullejans | E♭ Major | 1 | 5B | 86 BPM | ||
Gloria: Domine Deus, Agnus Dei | Antonio Vivaldi, Elinor Carter, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | D♭ Minor | 0 | 12A | 179 BPM | ||
6 Violin Sonatas, Op. 10b No. 3 in D Minor, J. 101: II. Rondo: Presto | Carl Maria von Weber, Nino Gvetadze, Frederieke Saeijs | A Major | 1 | 11B | 138 BPM | ||
Haydn: The Creation, Hob. XXI:2, Pt. 2: No. 15, Air. "On Mighty Pens Uplifted" (Gabriel) | Joseph Haydn, Arleen Augér/City of Birmingham Symphony Orchestra/Sir Simon Rattle, Arleen Auger, Sir Simon Rattle, City Of Birmingham Symphony Orchestra | F Major | 0 | 7B | 64 BPM | ||
Mass in C Major, Hob. XXII:9, "Paukenmesse": Mass in C Major, Hob. XXII:9, "Paukenmesse": V. Benedictus | Joseph Haydn, Richard Hickox, Collegium Musicum 90, Nancy Argenta, Catherine Denley, Mark Padmore, Stephen Varcoe, Collegium Musicum 90 Choir | C Major | 1 | 8B | 124 BPM | ||
Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 3, Choral. "Herzliebster Jesu, was hast du verbrochen" | Johann Sebastian Bach, Nikolaus Harnoncourt, Arnold Schönberg Choir, Vienna Boys' Choir, Concentus Musicus Wien | B Major | 2 | 1B | 128 BPM | ||
Schubert : "Du bist die Ruh" D776 | Franz Schubert, Barbara Bonney | E♭ Major | 0 | 5B | 66 BPM | ||
Schweigt stille, plaudert nicht Cantata, BWV 211 "Coffee Cantata": 4. Arie: Ei! wie smeckt Coffee süße | Johann Sebastian Bach, Emma Kirkby, Lisa Beznosiuk, Academy of Ancient Music, Christopher Hogwood | B♭ Minor | 1 | 3A | 66 BPM | ||
Der Fischer und das Milchmädchen: I. Allegretto galante | Giacomo Meyerbeer, Czech Philharmonic Chamber Orchestra, Dario Salvi | D Major | 1 | 10B | 77 BPM | ||
Violin Concerto No. 4 in D Minor, Op. 31: III. Scherzo. Vivace - Trio. Meno mosso | Henri Vieuxtemps, Hilary Hahn, Deutsche Kammerphilharmonie Bremen, Paavo Järvi | D Major | 1 | 10B | 135 BPM |
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