Claudio Monteverdi, Philippe Herreweghe, Stephan Gähler, Vincent Lesage, Johannes Gaubitz, Sören Richter, Collegium Vocale Gent's 'Vespro della Beata Vergine, SV 206: XIIIg. Magnificat "Deposuit potentes de sede"' came out on May 11, 2018. The duration of Vespro della Beata Vergine, SV 206: XIIIg. Magnificat "Deposuit potentes de sede" is about two minutes long, specifically at 2:13. This song does not appear to have any foul language. Vespro della Beata Vergine, SV 206: XIIIg. Magnificat "Deposuit potentes de sede"'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Collegium Vocale Gent, Philippe Herreweghe's "Monteverdi: Vespro della Beata Vergine" album is number 12 out of 31. On top of that, Belgium appears to be the country where this track was created. In terms of popularity, Vespro della Beata Vergine, SV 206: XIIIg. Magnificat "Deposuit potentes de sede" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Vespro della Beata Vergine, SV 206: XIIIg. Magnificat "Deposuit potentes de sede" by Claudio Monteverdi, Philippe Herreweghe, Stephan Gähler, Vincent Lesage, Johannes Gaubitz, Sören Richter, Collegium Vocale Gent to be Andante (at a walking pace) because the track has a tempo of 106 BPM, a half-time of 53BPM, and a double-time of 212 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
B♭ Minor is the music key of this track. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Missa pro Quadragesima, MH 551: Credo: Et incarnatus | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | E Major | 6 | 12B | 175 BPM | ||
Little Consort in Two Parts for Severall Friends in C minor-major: IV. Courante | Matthew Locke, Rachel Podger, Brecon Baroque | A♭ Minor | 2 | 1A | 112 BPM | ||
Stabat Mater dolorosa | Josquin des Prez, La Chapelle Royale, Philippe Herreweghe | G Major | 1 | 9B | 138 BPM | ||
Missa pro Defunctis in E-Flat Major, HocJ A1.3: II. Kyrie, 3. Kyrie eleison | Niccolò Jommelli, Il Gardellino, Peter Van Heyghen | D Major | 2 | 10B | 111 BPM | ||
O quam tu pulchra es | Alessandro Grandi, Massimo Altieri, Massimo Lombardi, Guglielmo Buonsanti, i Disinvolti | D Major | 0 | 10B | 101 BPM | ||
Christ lag in Todesbanden, BWV 4: I. Sinfonia | Johann Sebastian Bach, Collegium Vocale Gent, Philippe Herreweghe | E♭ Minor | 0 | 2A | 44 BPM | ||
The Silver Swan | Orlando Gibbons, Apollo5 | C Major | 1 | 8B | 79 BPM | ||
Missa pro defunctis: II. Kyrie | Johann Caspar Kerll, Vox Luminis, Lionel Meunier, L'Achéron | F Major | 1 | 7B | 138 BPM | ||
Couperin, F: Première leçon de ténèbres pour le Mercredi saint: III. Beth | François Couperin, William Christie, Sophie Daneman, Les Arts Florissants | C Minor | 0 | 5A | 76 BPM | ||
Missa Paschalis, ZWV 7: Gloria. Qui tollis | Jan Dismas Zelenka, Inégal Ensemble, Adam Viktora, Gabriela Eibenová, Marian Krejcik, Terry Wey, Cyril Auvity | F♯ Minor | 2 | 11A | 128 BPM |
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