François Couperin, William Christie, Sophie Daneman, Les Arts Florissants's 'Couperin, F: Première leçon de ténèbres pour le Mercredi saint: III. Beth' came out on January 1, 1997. With this song being around four minutes long, at 3:32, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 3 out of 22 in Couperin : Leçons de Ténèbres by François Couperin, William Christie, Les Arts Florissants. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Couperin, F: Première leçon de ténèbres pour le Mercredi saint: III. Beth is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Couperin, F: Première leçon de ténèbres pour le Mercredi saint: III. Beth by François Couperin, William Christie, Sophie Daneman, Les Arts Florissants is Adagio (slowly with great expression), since this song has a tempo of 76 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
If Music Be The Food Of Love | Alfred Deller | D Minor | 1 | 7A | 129 BPM | ||
5 Pieces en concert (arr. P. Bazelaire for cello and strings): No. 3. La Tromba | Paul Bazelaire, François Couperin, Amit Peled, Eliza Ching | G Major | 2 | 9B | 174 BPM | ||
Pièces de clavecin, Livre IV, Ordre 27: IV. Saillie | François Couperin, Angela Hewitt | B Minor | 2 | 10A | 96 BPM | ||
Platée, Acte 1 Scène 4: Récit "Quelque douce inquiétude" (Platée, Cithéron) | Jean-Philippe Rameau, Les Arts Florissants, William Christie, Marcel Beekman, Marc Mauillon | F Minor | 1 | 4A | 113 BPM | ||
L'Orfeo / Prologo: Ritornello - Dal mio Permesso amato | Claudio Monteverdi, English Baroque Soloists, John Eliot Gardiner | A Major | 1 | 11B | 123 BPM | ||
Couperin, F: 4 versets du motet: II. Ignitum eloquium | François Couperin, William Christie, Sophie Daneman, Les Arts Florissants | C Minor | 0 | 5A | 76 BPM | ||
Rodelinda, HWV 19: Act I - "Ombre, piante" | Simone Kermes | E Minor | 1 | 9A | 84 BPM | ||
Madrigali amorosi: No. 10, Madrigal by an Anonymous "Perche te n fuggi, o Fillide?" | Claudio Monteverdi, Concerto Italiano, Rinaldo Alessandrini | A Minor | 0 | 8A | 101 BPM | ||
Beatus vir, ZWV 75: Gloria Patri - After Psalm 111 | Jan Dismas Zelenka, Adam Viktora, Inégal Ensemble, Prague Baroque Solists | A♭ Minor | 1 | 1A | 103 BPM | ||
Monteverdi: L'Orfeo, favola in musica, SV 318, Prologue: Ritornello … "Dal mio permesso amato a voi ne vegno" (La Musica) | Claudio Monteverdi, London Baroque, Charles Medlam, Theresa Caudle, Emma Kirkby | B♭ Minor | 0 | 3A | 91 BPM |
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