Robin Hendrix made "The Old Man Clothed In Leather" available on November 7, 2001. With The Old Man Clothed In Leather being less than two minutes long, at 1:03, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 46 in the song's album "Nursery Rhymes & Nursery Songs". In this album, this song's track order is #32. Furthermore, we believe that the track originated from United States. The Old Man Clothed In Leather is unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With The Old Man Clothed In Leather by Robin Hendrix having a BPM of 70 with a half-time of 35 BPM and a double-time of 140 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Petite messe solennelle: VI. Gloria. Gratias | Gioachino Rossini, Giulio Prandi, José Maria Lo Monaco, Edgardo Rocha, Christian Senn, Francesco Corti | A Minor | 0 | 8A | 144 BPM | ||
Ave Maria "Ellens Gesang III", D. 839 | Felicity Lott, Graham Johnson | B♭ Major | 0 | 6B | 172 BPM | ||
Ave verum Corpus | Karl Jenkins, Tamara Mumford, Bryn Terfel, Orchestra at Temple Square, Mack Wilberg, The Tabernacle Choir at Temple Square | B♭ Major | 2 | 6B | 165 BPM | ||
Per la gloria d'adoravi (from Griselda) | Dame Joan Sutherland, Richard Bonynge | D Major | 1 | 10B | 71 BPM | ||
Chausson: Le Charme | Gérard Souzay | E♭ Major | 1 | 5B | 98 BPM | ||
Ride A Cock-Horse To Banbury Cross | Robin Hendrix | C Major | 3 | 8B | 116 BPM | ||
Massenet: Elégie | Jules Massenet, Philippe Jaroussky, Gautier Capuçon, Jerome Ducros | E♭ Minor | 0 | 2A | 83 BPM | ||
May Night: Sleep, my beauty [Kak tikho, ka prokhladno] (Act III) | Nicolai Gedda, Gervase De Peyer, Belgrade Philharmonic Orchestra | F♯ Minor | 2 | 11A | 88 BPM | ||
6 Ariette: No. 1, Malinconia, ninfa gentile | Vincenzo Bellini, Jessica Pratt, Vincenzo Scalera | F Minor | 1 | 4A | 164 BPM | ||
Vergebliches Ständchen | Johannes Brahms, Elisabeth Schwarzkopf, Gerald Moore | A Major | 2 | 11B | 166 BPM |
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