Jean-Philippe Rameau, Howard Crook, Les Arts Florissants, William Christie's 'Les Indes galantes, Première Entrée, Scène 6: "Hâtez-vous" (Valère)' came out on October 14, 1991. The duration of Les Indes galantes, Première Entrée, Scène 6: "Hâtez-vous" (Valère) is about two minutes long, specifically at 2:17. This song does not appear to have any foul language. Les Indes galantes, Première Entrée, Scène 6: "Hâtez-vous" (Valère)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 59 in the song's album "Rameau: Les Indes galantes". In this album, this song's track order is #20. Furthermore, we believe that the track originated from France. In terms of popularity, Les Indes galantes, Première Entrée, Scène 6: "Hâtez-vous" (Valère) is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Les Indes galantes, Première Entrée, Scène 6: "Hâtez-vous" (Valère) by Jean-Philippe Rameau, Howard Crook, Les Arts Florissants, William Christie having a BPM of 99 with a half-time of 50 BPM and a double-time of 198 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Laudate pueri Dominum, RV 600: Sit nomen Domini benedictum | Antonio Vivaldi, Tracy Smith Bessette, Aradia Ensemble, Kevin Mallon | G Major | 4 | 9B | 92 BPM | ||
Piano Concerto No. 23 in A Major, K. 488: 2. Adagio | Wolfgang Amadeus Mozart, Vladimir Horowitz, Orchestra Del Teatro Alla Scala, Milano, Carlo Maria Giulini | F♯ Minor | 0 | 11A | 108 BPM | ||
Suite in E Minor, RCT 2: Pièces de clavecin: Suite in E Minor: V. Le rappel des oiseaux (arr. I. Friedman for piano) | Ignaz Friedman, Jean-Philippe Rameau, Joseph Banowetz | E Minor | 2 | 9A | 172 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.1 in C major BWV846 | Daniel Barenboim | C Major | 0 | 8B | 95 BPM | ||
Jeux d'enfants, Op. 22 WD 56: 3. La poupée | Georges Bizet, Katia Labèque, Marielle Labèque | B Major | 0 | 1B | 64 BPM | ||
Lo frate 'nnamorato: II. Andante | Giovanni Battista Pergolesi, Orchestra da Camera di Napoli, Enzo Amato | E Minor | 5 | 9A | 165 BPM | ||
Ständchen in D Minor (After Schubert), S. 560 | Franz Liszt, Lise de la Salle | D Major | 0 | 10B | 76 BPM | ||
Musiche sacre: No. 23, Canzon à 3 | Francesco Cavalli, London Baroque | A♭ Minor | 1 | 1A | 122 BPM | ||
La poule, RCT 6/12 | Jean-Philippe Rameau, Bruce Liu | D Major | 1 | 10B | 87 BPM | ||
Rinaldo, HWV 7a, Act II, Scene 4: Lascia ch'io pianga - Arr. for French Horn | George Frideric Handel, Felix Klieser, CHAARTS Chamber Artists | B Major | 0 | 1B | 97 BPM |
Section: 0.7851307392120361
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