"Piano Quintet in F Minor, FWV 7: III. Allegro con troppo ma non fuoco - Live from Verbier Festival / 2014" by César Franck, Marc-André Hamelin, Joshua Bell, Pamela Frank, Nobuko Imai, Steven Isserlis was released on November 14, 2020. Since Piano Quintet in F Minor, FWV 7: III. Allegro con troppo ma non fuoco - Live from Verbier Festival / 2014 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 21 out of 32 in César Frank - Great Works by César Franck. In terms of popularity, Piano Quintet in F Minor, FWV 7: III. Allegro con troppo ma non fuoco - Live from Verbier Festival / 2014 is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Piano Quintet in F Minor, FWV 7: III. Allegro con troppo ma non fuoco - Live from Verbier Festival / 2014 by César Franck, Marc-André Hamelin, Joshua Bell, Pamela Frank, Nobuko Imai, Steven Isserlis is Andante (at a walking pace), since this song has a tempo of 98 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto in A Minor, Op. 7: II. Romanze: Andante non troppo con grazia | Clara Schumann, Veronica Jochum, Bamberg Symphony, Joseph Silverstein | A♭ Major | 0 | 4B | 69 BPM | ||
Sonata in E Major, K. 380 | Domenico Scarlatti, Khatia Buniatishvili | B Major | 0 | 1B | 84 BPM | ||
Capriccio in B Minor, Op. 76, No. 2 | Johannes Brahms, Arcadi Volodos | B Major | 1 | 1B | 84 BPM | ||
L'Arlésienne Suite No. 1, WD 40: 3. Adagietto | Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit | F Major | 0 | 7B | 86 BPM | ||
Violin Concerto No. 2 in D minor Op. 22 (1985 Digital Remaster): II. Romance (Allegro non troppo) | Henryk Wieniawski, Itzhak Perlman, Seiji Ozawa, Boston Symphony Orchestra | B♭ Major | 1 | 6B | 97 BPM | ||
Dolly, Op.56: 4. Kitty-Valse | Gabriel Fauré, Katia Labèque, Marielle Labèque | E♭ Major | 1 | 5B | 101 BPM | ||
Pictures at an Exhibition: Promenade. Moderato commodo assai e con delicatezza - attacca | Modest Mussorgsky, Ivo Pogorelich | D♭ Minor | 0 | 12A | 68 BPM | ||
Etude in D-Sharp Minor, Op. 8, No. 12: Patetico - Remastered | Alexander Scriabin, Vladimir Horowitz | D♭ Minor | 3 | 12A | 72 BPM | ||
Zdes' khorosho ('How Fair This Spot'), Op. 21, No. 7 | Sergei Rachmaninoff, Pablo Ferrandez, Denis Kozhukhin | A Major | 0 | 11B | 87 BPM | ||
Messiah, HWV 56, Part I: Pastoral Symphony, "Pifa" (arr. L. Stokowski) | George Frideric Handel, Leopold Stokowski, Bournemouth Symphony Orchestra, José Serebrier | C Major | 0 | 8B | 92 BPM |
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