"Tenebrae Responsories (from 'Officium Hebdomadae Sanctae'), Good Friday: Third Nocturn: III.Caligaverunt oculi mei - Si est dolor - O vos omnes" by Tomás Luis de Victoria, The Sixteen, Harry Christophers was released on 1995. Since Tenebrae Responsories (from 'Officium Hebdomadae Sanctae'), Good Friday: Third Nocturn: III.Caligaverunt oculi mei - Si est dolor - O vos omnes is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Victoria Tenebrae responsories by Tomás Luis de Victoria, The Sixteen, Harry Christophers. The song's track number on the album is #12 out of 18 tracks. Based on our statistics, Tenebrae Responsories (from 'Officium Hebdomadae Sanctae'), Good Friday: Third Nocturn: III.Caligaverunt oculi mei - Si est dolor - O vos omnes's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Tenebrae Responsories (from 'Officium Hebdomadae Sanctae'), Good Friday: Third Nocturn: III.Caligaverunt oculi mei - Si est dolor - O vos omnes by Tomás Luis de Victoria, The Sixteen, Harry Christophers has a tempo of 134 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Tenebrae Responsories (from 'Officium Hebdomadae Sanctae'), Good Friday: Third Nocturn: III.Caligaverunt oculi mei - Si est dolor - O vos omnes being at 134 BPM, the half-time would be 67 BPM with a double-time of 268 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 3/4.
This song has a musical key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Adieu delices de mon ceur | Jacob Clemens non Papa, Harmonia Recorder Ensemble | D Minor | 0 | 7A | 79 BPM | ||
Missa Malheur me bat a 4: Kyrie | Jacob Obrecht, Ars Nova Secunda, Janos Bali | F♯ Minor | 2 | 11A | 77 BPM | ||
The Second Dirge Anthem: Man That Is Born of a Woman – In the Midst of Life – Thou Knowest, Lord, Z. 58b | Thomas Morley, Henry Purcell, Vox Luminis, Lionel Meunier | A♭ Minor | 1 | 1A | 135 BPM | ||
Alleluja | Sjaella | D Major | 0 | 10B | 66 BPM | ||
Liturgy of St. John Chrysostom, Op. 41: XI. It Is Meet | Pyotr Ilyich Tchaikovsky, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | B♭ Major | 3 | 6B | 82 BPM | ||
La Rose Complete | Nordic Chamber Choir - Nicol Matt | D♭ Major | 0 | 3B | 125 BPM | ||
Missa Azzolina: Agnus Dei | Orazio Benevoli, Le Concert Spirituel, Herve Niquet | A Major | 1 | 11B | 78 BPM | ||
Ghizeghem / Arr. Des Prez: De tous biens plaine (Instrumental) | Hayne van Ghizeghem, David Munrow, Early Music Consort Of London | D Minor | 0 | 7A | 156 BPM | ||
Quam pulchra es, JD 44 | John Dunstable, Tonus Peregrinus, Antony Pitts | B♭ Major | 1 | 6B | 125 BPM | ||
Der Mensch lebt und bestehet nur eine kleine Zeit | Max Reger, Vienna Chamber Choir, Michael Grohotolsky | C Major | 1 | 8B | 97 BPM |
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