"I Puritani / Act 1: "A te, o cara" - Remastered" by Vincenzo Bellini, Andrea Bocelli, Orchestra del Maggio Musicale Fiorentino, Gianandrea Noseda was released on January 1, 1998. The duration of I Puritani / Act 1: "A te, o cara" - Remastered is about 3 minutes long, at 3:06. Based on our data, "I Puritani / Act 1: "A te, o cara" - Remastered" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 7 out of 17 in Aria - The Opera Album by Andrea Bocelli, Orchestra del Maggio Musicale Fiorentino, Gianandrea Noseda. Going off of the ISRC code of this track, we detected that the origin of this track is from Italy. The popularity of I Puritani / Act 1: "A te, o cara" - Remastered is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of I Puritani / Act 1: "A te, o cara" - Remastered by Vincenzo Bellini, Andrea Bocelli, Orchestra del Maggio Musicale Fiorentino, Gianandrea Noseda is Vivace (lively and fast), since this song has a tempo of 170 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 5/4.
The music key of this track is D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Miniera | Leo Nucci, Salotto Ottocento Ensemble | A Major | 2 | 11B | 119 BPM | ||
Op 34, N. 2: "Auf Flügeln des Gesanges" | Victoria de los Ángeles | A♭ Major | 1 | 4B | 138 BPM | ||
L'elisir d'amore (The Elixir of Love), Act II: Una furtiva lagrima | Gaetano Donizetti, Piotr Beczala, Munich Radio Orchestra, Ion Marin | B♭ Minor | 2 | 3A | 81 BPM | ||
Plaisir d'amour | Jean-Paul-Égide Martini, Andrea Bocelli, London Symphony Orchestra, Lorin Maazel | G Major | 3 | 9B | 130 BPM | ||
Loreley / Act 2: "Amor, celeste ebbrezza" | Alfredo Catalani, Maria Chiara, National Philharmonic Orchestra, Kurt Herbert Adler | G Major | 1 | 9B | 81 BPM | ||
Andrea Chenier: Act I: Compiacente á colloquii | Umberto Giordano, Sherrill Milnes, James Levine | F♯ Minor | 2 | 11A | 129 BPM | ||
Core n'grato | Salvatore Cardillo, Andrea Bocelli, Academy Of Choir Art Of Russia, Moscow Radio Symphony Orchestra, Vladimir Fedoseyev | E♭ Major | 2 | 5B | 125 BPM | ||
West Side Story: XIII. Somewhere | Leonard Bernstein, Marilyn Horne, Orchestra | E Major | 1 | 12B | 88 BPM | ||
Vaga luna, che inargenti | Vincenzo Bellini, Rolando Villazón, Orchestra del Maggio Musicale Fiorentino, Marco Armiliato | B♭ Major | 1 | 6B | 73 BPM | ||
The Merry Widow (Die lustige Witwe) - Sung In Italian - Act 2: Vilja-Lied | Franz Lehár, Renata Tebaldi, With Orchestral Accompaniment | G Major | 1 | 9B | 88 BPM |
Section: 0.6568055152893066
End: 0.6648693084716797