Johann Friedrich Fasch, Cappella Coloniensis, Hanns-Martin Schneidt made "Overture in E Minor, FWV K:e1: III. Bouree" available on August 25, 2009. The duration of Overture in E Minor, FWV K:e1: III. Bouree is about two minutes long, specifically at 2:22. This song does not appear to have any foul language. Overture in E Minor, FWV K:e1: III. Bouree's duration is considered a little bit shorter than the average duration of a typical track. The song is number 3 out of 19 in Fasch, J.F.: Orchestral Music by Johann Friedrich Fasch, Cappella Coloniensis, Hanns-Martin Schneidt, Hans-Martin Linde, Günther Wich. Going off of the ISRC code of this track, we detected that the origin of this track is from Austria. Overture in E Minor, FWV K:e1: III. Bouree is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Overture in E Minor, FWV K:e1: III. Bouree by Johann Friedrich Fasch, Cappella Coloniensis, Hanns-Martin Schneidt is Andante (at a walking pace), since this song has a tempo of 86 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Overture No. 6 in B-Flat Major: II. Largo | Francesco Maria Veracini, L'Arte dell' Arco, Federico Guglielmo | A Major | 2 | 11B | 80 BPM | ||
Recorder Sonata No. 12 in G Minor: I. Largo | Francesco Mancini, Dan Laurin, London Baroque | F♯ Minor | 1 | 11A | 91 BPM | ||
Concerto in F Major, S. 235: II. Andante | Johann David Heinichen, Musica Antiqua Köln, Reinhard Goebel | E Major | 0 | 12B | 118 BPM | ||
Flute Concerto in G Major, Wq. 169, H. 445: III. Presto | Carl Philipp Emanuel Bach, Peter Thalheimer, Collegium Musica Rara Stuttgart | F♯ Major | 2 | 2B | 99 BPM | ||
Bach, JS: Concerto for Two Violins in D Minor, BWV 1043: III. Allegro | Johann Sebastian Bach, Ton Koopman, Monica Huggett, Alison Bury, Amsterdam Baroque Orchestra | D♭ Minor | 3 | 12A | 102 BPM | ||
Concerto for 2 Corno da caccia, 2 Oboes and Bassoon in D major (arr. M. Fechner): III. Allegro | Johann Friedrich Fasch, Virtuosi Saxoniae, Ludwig Güttler, Kurt Sandau, Günter Klier, Andreas Lorenz, Wolfgang Klier, Hans-Peter Steger | B♭ Major | 2 | 6B | 167 BPM | ||
King Arthur, Z. 628, Act I: No. 1, Overture | Henry Purcell, Vox Orchester, Lorenzo Ghirlanda | F Major | 0 | 7B | 112 BPM | ||
Concerto À 4 Parties In A Minor: 2. Gavotte I and Gavotte II:Tendrement | Michel Blavet, Musica Antiqua Köln, Reinhard Goebel | A♭ Major | 0 | 4B | 104 BPM | ||
Concerto 6 in A Major, Op. 7: III. Giga allegro | Jean-Marie Leclair, Luis Otavio Santos, Les Muffatti, Peter Van Heyghen | A♭ Major | 3 | 4B | 123 BPM | ||
Al fragor di lieta tromba, Sinfonia: III. Allegro | Alessandro Scarlatti, Alessandro Stradella Consort, Estevan Velardi | G Minor | 0 | 6A | 117 BPM |
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