"Der Rosenkavalier, Op. 59 / Act 2: "Herr Schwiegersohn! Wie ist ihm denn?"" by Richard Strauss, Otto Wiener, Manfred Jungwirth, Yvonne Minton, Helen Donath, Wiener Philharmoniker, Sir Georg Solti was released on January 1, 1969. The duration of Der Rosenkavalier, Op. 59 / Act 2: "Herr Schwiegersohn! Wie ist ihm denn?" is about 3 minutes long, at 3:09. Based on our data, "Der Rosenkavalier, Op. 59 / Act 2: "Herr Schwiegersohn! Wie ist ihm denn?"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 43 in the song's album "Strauss, R.: Der Rosenkavalier". In this album, this song's track order is #10. Furthermore, we believe that the track originated from United Kingdom. Der Rosenkavalier, Op. 59 / Act 2: "Herr Schwiegersohn! Wie ist ihm denn?" is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Der Rosenkavalier, Op. 59 / Act 2: "Herr Schwiegersohn! Wie ist ihm denn?" by Richard Strauss, Otto Wiener, Manfred Jungwirth, Yvonne Minton, Helen Donath, Wiener Philharmoniker, Sir Georg Solti having a BPM of 85 with a half-time of 42 BPM and a double-time of 170 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Elektra, Op. 58, TrV 223: "Elektra!" / "Schweig, und tanze." | Richard Strauss, Marianne Schech, Inge Borkh, Staatskapelle Dresden, Karl Böhm | D♭ Major | 5 | 3B | 179 BPM | ||
Symphony No. 5 in C Minor, Op. 67: II. Andante con moto | Ludwig van Beethoven, Wiener Philharmoniker, Carlos Kleiber | A♭ Major | 0 | 4B | 75 BPM | ||
Also sprach Zarathustra, Op.30, TrV 176: Das Grablied | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | F♯ Minor | 1 | 11A | 93 BPM | ||
Vier letzte Lieder, TrV 296: 2. September | Richard Strauss, Jessye Norman, Gewandhausorchester, Kurt Masur | D Major | 1 | 10B | 153 BPM | ||
Eine Alpensinfonie, Op. 64, TrV 233: XXI. Ausklang | Richard Strauss, David Bell, Berliner Philharmoniker, Herbert von Karajan | E♭ Major | 1 | 5B | 63 BPM | ||
Symphony No. 2: II. Allegro molto | Sergei Rachmaninoff, Valery Gergiev, London Symphony Orchestra | F Major | 1 | 7B | 146 BPM | ||
Wagner: Albumblatt, WWV 94 | Richard Wagner, Renaud Capuçon | A Major | 2 | 11B | 87 BPM | ||
Beethoven: Symphony No. 6 in F Major, Op. 68 "Pastoral": III. Lustiges Zusammensein der Landleute. Allegro | Ludwig van Beethoven, Philadelphia Orchestra, Riccardo Muti | D Minor | 3 | 7A | 107 BPM | ||
Elektra: V. Mit Messern gräbt Tag um Tag… | Hugo von Hofmannsthal, Richard Strauss, Anita Soldh, Laila Andersson-palme, Royal Swedish Opera Orchestra, Siegfried Köhler | D♭ Major | 5 | 3B | 118 BPM | ||
Pines Of Rome, P. 141: 3. The Pines Of The Janiculum | Ottorino Respighi, Berliner Philharmoniker, Herbert von Karajan | E Major | 0 | 12B | 84 BPM |
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