Joseph Haydn, Jean-Efflam Bavouzet's 'Capriccio 'Acht Sauschneider müssen seyn' in G Major, Hob. XVII: 1' came out on July 29, 2022. Since Capriccio 'Acht Sauschneider müssen seyn' in G Major, Hob. XVII: 1 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Joseph Haydn, Jean-Efflam Bavouzet's "Haydn: Piano Sonatas, Vol. 11" album is number 14 out of 25. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Capriccio 'Acht Sauschneider müssen seyn' in G Major, Hob. XVII: 1 is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Capriccio 'Acht Sauschneider müssen seyn' in G Major, Hob. XVII: 1 by Joseph Haydn, Jean-Efflam Bavouzet to be Moderato (at a moderate speed) because the track has a tempo of 112 BPM, a half-time of 56BPM, and a double-time of 224 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Keyboard Concerto No. 13 in F Major, HWV 295, "The Cuckoo and The Nightingale": I. Larghetto | George Frideric Handel, Matthias Kirschnereit, German Chamber Academy Neuss, Lavard Skou Larsen | D Minor | 0 | 7A | 176 BPM | ||
Liebesbotschaft, S. 560/10 from Schwanengesang | Franz Liszt, Arcadi Volodos | G Major | 0 | 9B | 62 BPM | ||
Concerto for Violin and Cello in A minor, Op. 102: 2. Andante | Johannes Brahms, Anne-Sophie Mutter, Antonio Meneses, Berliner Philharmoniker, Herbert von Karajan | D Major | 1 | 10B | 114 BPM | ||
String Quintet in E Major, Op. 11 No. 5, G. 275: II. Allegro con spirito | Luigi Boccherini, György Éder, Danubius Quartet | E Major | 1 | 12B | 133 BPM | ||
Symphonie Espagnole In D Minor, Op. 21: 2. Scherzando (Allegro molto) | Édouard Lalo, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | G Major | 1 | 9B | 105 BPM | ||
Concerto Grosso In B Flat Major, Op. 6, No. 11: VI. Giga: Vivace | Arcangelo Corelli, Daniela Ruso, Ludovit Kanta, Anna Holbling, Quido Holbling, Capella Istropolitana | B♭ Major | 1 | 6B | 59 BPM | ||
Le Tic-Toc-Choc, ou Les Maillotins: 18ème ordre, 3ème livre | François Couperin, Iddo Bar-Shaï | C Major | 3 | 8B | 145 BPM | ||
Violin Concerto No. 23 in G Major, G. 98: II. Andante | Giovanni Battista Viotti, Mauro Ranieri, Accademia I Filarmonici, Aldo Sisillo | E Major | 0 | 12B | 74 BPM | ||
Mass No. 10 in C Major, Hob. XXII:9, "Missa in tempore belli", "Paukenmesse", "Kriegsmesse": Gloria. Qui tollis peccata mundi | Joseph Haydn, Ann Hoyt, Kirsten Sollek, Daniel Neer, Richard Lippold, Trinity Church Choir, New York, Rebel Baroque Orchestra, Owen Burdick | D♭ Minor | 2 | 12A | 81 BPM | ||
Keyboard Sonatina in C Major, Op. 36, No. 1: I. Allegro | Muzio Clementi, Chun-Young June | G Major | 2 | 9B | 100 BPM |
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