Annette Markert, Carl Philipp Emanuel Bach Chamber Orchestra, Hartmut Haenchen's 'La gara degli dei: "Si, si, da sen fecondo"' came out on April 26, 2013. With La gara degli dei: "Si, si, da sen fecondo" being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Various Artists's "Heinichen: La gara degli dei" album is number 7 out of 27. On top of that, Germany appears to be the country where this track was created. In terms of popularity, La gara degli dei: "Si, si, da sen fecondo" is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of La gara degli dei: "Si, si, da sen fecondo" by Annette Markert, Carl Philipp Emanuel Bach Chamber Orchestra, Hartmut Haenchen to be Moderato (at a moderate speed) because the track has a tempo of 111 BPM, a half-time of 56BPM, and a double-time of 222 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Requiem: Requiem: I. Introitus. Requiem aeternam. II. Kyrie | Johann Christian Bach, RIAS Kammerchor, Akademie für Alte Musik Berlin, Hans-Christoph Rademann | F Major | 2 | 7B | 83 BPM | ||
Die Schöpfung, Hob. XXI:2 / Erster Teil: 10. Chor: "Stimmt an die Saiten" | Franz Joseph Haydn, Berliner Philharmoniker, Herbert von Karajan, Wiener Singverein | D Major | 5 | 10B | 114 BPM | ||
Symphony in D Major, Op. 3, No. 2: III. Menuetto | Johann Stamitz, New Zealand Chamber Orchestra, Donald Armstrong | D Major | 0 | 10B | 80 BPM | ||
Elias, Op. 70, MWV A25, Part I: No. 3, Recitative "Zerreißet eure Herzen" (Obadjah) | Felix Mendelssohn, John Mark Ainsley, Orchestre des Champs-Élysées, Philippe Herreweghe | D Major | 3 | 10B | 109 BPM | ||
Grande Messe des Morts: VI. Graduale: Fuga - Et lux perpetua | Francois-Joseph Gossec, Roberta Invernizzi, Maite Arruabarrena, Howard Crook, Claude Darbellay, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis | C Minor | 2 | 5A | 109 BPM | ||
Stabat Mater: Quis est homo qui non fleret…. Quis non posset | Agostino Steffani, Franco Fagioli, Daniel Behle, I Barocchisti, Diego Fasolis | G Minor | 1 | 6A | 77 BPM | ||
Missa in angustiis "Nelson Mass", Hob. XXII:11 in D minor: Agnus Dei: Dona nobis pacem | Franz Joseph Haydn, Barbara Hendricks, Marjana Lipovsek, Francisco Araiza, Peter Meven, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Sir Colin Davis | D Major | 2 | 10B | 128 BPM | ||
Haydn: Mass in B-Flat Major, Hob. XXII:10 "Heiligmesse": Gloria | Joseph Haydn, Sir Neville Marriner, Hansjürgen Scholze, MDR Leipzig Radio Chorus, Staatskapelle Dresden | B♭ Major | 2 | 6B | 131 BPM | ||
The Creation, Hob.XXI,2: Pt. 3, By Thee with Bliss | Joseph Haydn, Handel & Haydn Society, Sarah Tynan, Matthew Brook, Harry Christophers | E♭ Major | 0 | 5B | 87 BPM | ||
6 Marianische Hymnen, Op. 171: III. Salve Regina | Josef Rheinberger, Lydia Teuscher, Christine Müller, Annette Markert, Götz Payer | E Major | 1 | 12B | 73 BPM |
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