"Wagner: Lohengrin, WWV 75, Act 2 Scene 2: "Elsa! … Wer ruft?" (Ortrud, Elsa)" by Richard Wagner, Elisabeth Grümmer/Christa Ludwig/Wiener Philharmoniker/Rudolf Kempe, Rudolf Kempe, Wiener Philharmoniker was released on 1964. With this song being around four minutes long, at 4:26, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Wagner: Lohengrin by Richard Wagner, Rudolf Kempe. The song's track number on the album is #5 out of 55 tracks. Wagner: Lohengrin, WWV 75, Act 2 Scene 2: "Elsa! … Wer ruft?" (Ortrud, Elsa) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Wagner: Lohengrin, WWV 75, Act 2 Scene 2: "Elsa! … Wer ruft?" (Ortrud, Elsa) by Richard Wagner, Elisabeth Grümmer/Christa Ludwig/Wiener Philharmoniker/Rudolf Kempe, Rudolf Kempe, Wiener Philharmoniker has a tempo of 88 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Wagner: Lohengrin, WWV 75, Act 2 Scene 2: "Elsa! … Wer ruft?" (Ortrud, Elsa) being at 88 BPM, the half-time would be 44 BPM with a double-time of 176 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 4 in A Major, Op. 90, MWV N 16, "Italian": II. Andante con moto | Felix Mendelssohn, London Symphony Orchestra, Claudio Abbado | D Major | 0 | 10B | 70 BPM | ||
Rigoletto / Act 3: "Bella figlia dell'amore...M'odi, ritorna a casa" | Giuseppe Verdi, Luciano Pavarotti, Joan Sutherland, Huguette Tourangeau, Sherrill Milnes, London Symphony Orchestra, Richard Bonynge | D♭ Major | 3 | 3B | 89 BPM | ||
Boris Godounov - Moussorgsky after Pushkin and Karamazin/Version 1872 - Prologue - Picture 2: Long live Tsar Boris Feodorovich | Modest Mussorgsky, Konstantin Pluzhnikov, Mariinsky Chorus, Mariinsky Orchestra, Valery Gergiev | G Major | 4 | 9B | 105 BPM | ||
Die Walküre, WWV 86B / Act 3: "Hojotoho! Hojotoho!"...Ride Of The Valkyries | Richard Wagner, Birgit Nilsson, Berit Lindholm, Brigitte Fassbaender, Claudia Hellmann, Helen Watts, Helga Dernesch, Marilyn Tyler, Vera Schlosser, Wiener Philharmoniker, Sir Georg Solti | G Major | 3 | 9B | 89 BPM | ||
Piano Concerto No. 2 in F Major, Op. 102: I. Allegro | Dmitri Shostakovich, I Musici de Montréal, Maxim Shostakovich | B♭ Major | 3 | 6B | 160 BPM | ||
Symphony No. 2 in C Minor "Resurrection": IV. Urlicht. Sehr feierlich, aber schlicht | Gustav Mahler, Lorin Maazel, Wiener Philharmoniker | B♭ Major | 2 | 6B | 130 BPM | ||
Pictures at an Exhibition (Orch. Ravel): III. Tuileries Gardens | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | E♭ Minor | 0 | 2A | 97 BPM | ||
Les Contes d'Hoffmann (1989 Digital Remaster), Act I: Glou, glou, glou (Choeurs) | Jacques Offenbach, Nicolai Gedda, Elisabeth Schwarzkopf, Victoria de los Ángeles, Gianna D'Angelo, Christiane Gayraud, Robert Geay, Jean-Pierre Laffage, Jean Christophe Benoit, Michel Sénéchal, Ernest Blanc, George London, Nicola Ghiuselev, André Mallabrera, Renée Faure, Jacques Pruvost, André Cluytens, Orchestre De La Société Des Concerts Du Conservatoire | C Major | 0 | 8B | 101 BPM | ||
Eugene Onegin (continued) (Act 3): Polonaise | Pyotr Ilyich Tchaikovsky, Sofia Festival Orchestra, Emil Tchakarov | G Major | 1 | 9B | 206 BPM | ||
L’arlésienne Suite No. 2 (Arr. E. Guiraud): IV. Farandole | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Major | 3 | 10B | 91 BPM |
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