"6 Préludes: No. 6. Très souple" by Jean Roger-Ducasse, Joel Hastings was released on March 3, 2017. With this song being around four minutes long, at 4:05, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 21 in the song's album "Roger-Ducasse: Piano Works". In this album, this song's track order is #11. 6 Préludes: No. 6. Très souple is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 6 Préludes: No. 6. Très souple by Jean Roger-Ducasse, Joel Hastings having a BPM of 66 with a half-time of 33 BPM and a double-time of 132 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Six Préludes: III. D"un rythme très précis | Jean Roger-Ducasse, Martin Jones | E♭ Major | 1 | 5B | 100 BPM | ||
Was it a Dream?, Op. 37, No. 4 | Jean Sibelius, Yo-Yo Ma, Kathryn Stott | A♭ Minor | 1 | 1A | 74 BPM | ||
Ma mère l'oye, M. 60: 1. Pavane de la Belle au bois dormant | Valeria Szervánszky, Ronald Cavaye | A Minor | 0 | 8A | 135 BPM | ||
Elegy (In Memoriam Stephen Lawrence) | Philip Herbert, Chineke! Orchestra, Anthony Parnther | C Major | 0 | 8B | 100 BPM | ||
7 Variations on the Air Vien qua, Dorina bella by Bianchi, Op. 7, J. 53: Variation 1 | Carl Maria von Weber, Michael Endres | C Major | 0 | 8B | 134 BPM | ||
El cant dels ocells (Song of the Birds) (version for cello and orchestra) | Pablo Casals, Harriet Krijgh, Deutsche Staatsphilharmonie Rheinland-Pfalz, Gustavo Gimeno | A Minor | 0 | 8A | 89 BPM | ||
6 Impromptus, Op. 5: Impromptu VI | Jean Sibelius, Leif Ove Andsnes | E Major | 0 | 12B | 62 BPM | ||
Antiche Danze Ed Arie Per Liuto (Ancient Airs And Dances), P. 114: V. Siciliana | Ottorino Respighi, Konstantin Scherbakov | B Minor | 0 | 10A | 126 BPM | ||
Silent Woods, Op. 68/5 - version for Cello and Piano: Silent Woods | Antonín Dvořák, Alisa Weilerstein, Anna Polonsky | F♯ Major | 0 | 2B | 92 BPM | ||
Nocturnes n°4 en ut mineur | Francis Poulenc, Alexandre Tharaud | C Major | 0 | 8B | 73 BPM |
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