Frank Martin, Daniel Reuss, Estonian National Symphony Orchestra, Estonian Philharmonic Chamber Choir, Cappella Amsterdam, Adrian Thompson, Mattijs van de Woerd made "Golgotha, Seconde Partie: IX. Le Calvaire" available on March 23, 2010. Golgotha, Seconde Partie: IX. Le Calvaire appears to be safe for all ages as it is not explicit. The track order of this song in Frank Martin, Daniel Reuss's "Martin: Golgotha" album is number 4 out of 10. On top of that, France appears to be the country where this track was created. Golgotha, Seconde Partie: IX. Le Calvaire is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Golgotha, Seconde Partie: IX. Le Calvaire by Frank Martin, Daniel Reuss, Estonian National Symphony Orchestra, Estonian Philharmonic Chamber Choir, Cappella Amsterdam, Adrian Thompson, Mattijs van de Woerd to be Adagio (slowly with great expression) because the track has a tempo of 76 BPM, a half-time of 38BPM, and a double-time of 152 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 2 in B-Flat Major, Op. 52 "Hymn Of Praise": VIII. Andante con moto. "Nun danket alle Gott" | Felix Mendelssohn, Deutsche Kammerphilharmonie Bremen, Frieder Bernius, Kammerchor Stuttgart | G Major | 2 | 9B | 81 BPM | ||
Three Songs, Op. 42: III. Darthulas Grabesgesang | Johannes Brahms, RIAS Kammerchor | D♭ Major | 1 | 3B | 106 BPM | ||
Vespers (All-Night Vigil), Op. 37: V. Now Let Thy Servant Depart | Sergei Rachmaninoff, Robert Shaw, Robert Shaw Festival Singers, Karl Dent | B♭ Minor | 0 | 3A | 81 BPM | ||
The Ecstatic Pilgrimage, Cycle 4 "Beyond Circumference": No. 13, I Went to Heaven | Leo Smit, Georgine Resick, Warren Jones | D Major | 1 | 10B | 76 BPM | ||
Six chansons: I. La biche | Paul Hindemith, Ensemble vocal Aedes, Mathieu Romano | E Major | 1 | 12B | 120 BPM | ||
Ariel (Shakespeare: The Tempest): No. 1. Ariel's Song, "Come unto these yellow sands" | Frank Martin, Aarhus Academic Choir, Uffe Most | D♭ Minor | 1 | 12A | 94 BPM | ||
Missa a cappella: I. Kyrie | Einojuhani Rautavaara, Latvijas Radio koris, Sigvards Kļava | G Major | 1 | 9B | 97 BPM | ||
8 Short Preludes on Gregorian Themes, Op. 45: III. Pange lingua | Marcel Dupré, Stefan Engels | D Major | 1 | 10B | 129 BPM | ||
Three Songs of Faith: hope, faith, life, love | Eric Whitacre, Conspirare, Craig Hella Johnson | B♭ Major | 1 | 6B | 67 BPM | ||
Der Mensch lebt und bestehet nur eine kleine Zeit | Max Reger, Vienna Chamber Choir, Michael Grohotolsky | C Major | 1 | 8B | 97 BPM |
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