"Requiem: VII. Libera me – Dies irae – Requiem aeternam – Libera me" by Giuseppe Verdi, Anna Tomowa-Sintow, Wiener Philharmoniker, Herbert von Karajan, Wiener Staatsopernchor, Chorus of the Sofia National Opera, Walter Hagen-Groll was released on April 6, 2024. Requiem: VII. Libera me – Dies irae – Requiem aeternam – Libera me appears to be safe for all ages as it is not explicit. The song is number 15 out of 68 in Dies irae by Giuseppe Verdi. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Requiem: VII. Libera me – Dies irae – Requiem aeternam – Libera me is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Requiem: VII. Libera me – Dies irae – Requiem aeternam – Libera me by Giuseppe Verdi, Anna Tomowa-Sintow, Wiener Philharmoniker, Herbert von Karajan, Wiener Staatsopernchor, Chorus of the Sofia National Opera, Walter Hagen-Groll is Andante (at a walking pace), since this song has a tempo of 86 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Il barbiere di Siviglia / Act 1: "Largo al factotum" | Gioachino Rossini, Leo Nucci, Orchestra del Teatro Comunale di Bologna, Giuseppe Patanè | G Major | 2 | 9B | 69 BPM | ||
Manon Lescaut / Act 1: Donna non vidi mai | Giacomo Puccini, Luciano Pavarotti, Metropolitan Opera Orchestra, James Levine | B♭ Major | 3 | 6B | 79 BPM | ||
Rigoletto / Act 1: "Gualtier Maldè...Caro nome" | Giuseppe Verdi, Dame Joan Sutherland, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Francesco Molinari-Pradelli | E Major | 0 | 12B | 85 BPM | ||
Coppélia / Tableau 1: No. 1 Valse | Léo Delibes, Orchestre de la Suisse Romande, Richard Bonynge | C Minor | 1 | 5A | 75 BPM | ||
Rigoletto, Act IV: La donna e mobile (arr. for orchestra) | Anonymous , Giuseppe Verdi, Sofia Philharmonic Orchestra, Emil Tabakov | B♭ Major | 1 | 6B | 155 BPM | ||
Fedora / Act 2: "Amor ti vieta" | Umberto Giordano, Luciano Pavarotti, National Philharmonic Orchestra, Oliviero de Fabritiis | C Major | 2 | 8B | 90 BPM | ||
Verdi: Messa da Requiem: III. Tuba mirum | Giuseppe Verdi, Riccardo Muti, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano | C Major | 2 | 8B | 114 BPM | ||
La Traviata, Teil 3 | La Traviata | B♭ Major | 0 | 6B | 0 BPM | ||
Non ti scordar di me (Arr. for Soprano, Tenor and Orchestra by Giancarlo Chiaramello) | Ernesto de Curtis, Anna Netrebko, Yusif Eyvazov, Royal Philharmonic Orchestra, Jader Bignamini | A Major | 2 | 11B | 81 BPM | ||
Lakmé / Act 1: "Viens, Mallika, ... Dôme épais" (Flower Duet) | Léo Delibes, Dame Joan Sutherland, Jane Berbié, Orchestre National de l'Opéra de Monte-Carlo, Richard Bonynge | B Major | 1 | 1B | 84 BPM |
Section: 0.6200613975524902
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